Review: PRS 22 Electric Solidbody Guitar with Piezo Bridge

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Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.

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(L-R) Gwen Stefani and Tony Kanal of No Doubt perform at the Coachella Stage during the 2024 Coachella Valley Music and Arts Festival at Empire Polo Club on April 20, 2024 in Indio, California

“I was just learning to play – I started strumming the chords and ran upstairs and said, ‘Guys, I think I just wrote a song!’”: Gwen Stefani on the only No Doubt song she's ever written on guitar

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“My first real gig with The Band was in front of 25,000 people and we had no real rehearsal… We just flew out to Dallas and opened for Crosby, Stills & Nash”: Jim Weider on replacing Robbie Robertson – and the ’52 Tele he got while working at a car wash

“$499 is incredibly high value for a guitar you can go and buy, and go and gig it. And that’s what I want: it’s not a toy”: PRS’ Jack Higginbotham reflects on the history of the SE line

“Tom Morello ended up flying to Seattle and doing the vocals with Layne Staley. Tom came back and was like, ‘He’s in really bad shape. It’s scary’”: Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle

“I was a Brian May obsessive. I had the Star Licks video and had learned it all by the time I was 14”: Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning

“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp

“Verböten played right across the street from Wrigley Field. Dave Grohl came with his sister when he was 13 and saw us play”: Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to the untapped guitar playing of David Gilmour’s solo albums

“My custom-made classical guitar with the synth module was stolen while we were on tour. I got it back thanks to some people who worked with Joe Bonamassa”: Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less

“Was that open-string a mistake or pure brilliance? Who cares? It’s a masterpiece”: Did bass maestro Willie Weeks miss a note on this Donny Hathaway classic?

“Jimi Hendrix was my superhero, and so I threw a bit of his style into the bassline”: How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine

“Lots of what I play, I wouldn't know how to describe it… I’m following my nose all the time. It’s a process of instinct and desire”: Meet Lazy Day’s Tilly Scantlebury – the UK guitarist-producer summoning sparkling indie tones from secondhand setups

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