NAMM 2019: Peterson Tuners Unveils the StroboStomp HD

Features
By published

Feature-rich unit boasts large, high-def display, allows users to assign tunings to specific colors

NAMM 2019: Peterson Strobe Tuners has announced the StroboStomp HD, the newest version of their StroboStomp tuner pedal.

The new HD features multi-color display that is LCD-based and LED backlit. Users can select a variety of preset colors that will change the display color for unique viewing preferences, and can also associate a color to any specific tuning preset. Configuration of custom colors can also be done using Peterson’s website app, Peterson Connect™, and updating the StroboStomp HD via USB.

Additional updates on the StroboStomp HD include a large display that is double the size of the pixel resolution of its predecessor, pop-less true-bypass function and buffered output mode.

The StroboStomp HD will be available beginning in April for $129.99. For more information, head over to Peterson Tuners.

Richard Bienstock
Richard Bienstock

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.

More about effects pedals

“The original Jordan Boss Tone was probably used by four out of five garage bands in the late ’60s”: Unpacking the gnarly magic of the Jordan Boss Tone – an actual guitar plug-in that delivers Dan Auerbach-approved fuzz

“This is a powerhouse of a stompbox that manages to keep things simple while offering endless inspiration”: Strymon EC-1 Single Head dTape Echo pedal review

“I liked that they were the underdogs. It was not the mainstream guitar. It was something that was hard to find”: Vox guitars deserve a second look – just ask L.A. Witch’s Sade Sanchez, who’s teaming hers with ugly pedals for nouveau garage rock thrills
See more latest
Most Popular
Sade Sanchez
“I liked that they were the underdogs. It was not the mainstream guitar. It was something that was hard to find”: Vox guitars deserve a second look – just ask L.A. Witch’s Sade Sanchez, who’s teaming hers with ugly pedals for nouveau garage rock thrills
Eric Clapton performs onstage with the Yardbirds in Brighton, England on June 11, 1964
“I suppose I felt that I deserved it for the amount of seriousness that I’d put into it. My head was huge!” “Clapton is God” graffiti made him a guitar legend when he was barely 20 – he says he was far from uncomfortable with the adulation at the time
John Sykes performs onstage with Whitesnake at the UIC Pavilion in Chicago, Illinois on November 10, 1984
“I was in a frenzy about it being trapped and burnt up. I knew I'd never be able to replace it”: After being pulled from the wreckage of a car crash, John Sykes ran back to his burning vehicle to save his beloved '76 Les Paul
Steve Stevens' Ciari Ascender
“It holds its own purely as a playable guitar. It’s really cool for the traveling musician – you can bring it on a flight and it fits beneath the seat”: Why Steve Stevens put his name to a foldable guitar
Andy Fairweather Low poses with his Gibson guitars
“I wanted to play more, and it was inappropriate with Eric or Roger. I was not the lead guitarist, and I wanted to be”: Clapton, Waters, Satriani and me – Andy Fairweather Low on his greatest collaborations and finally taking center stage
Margo Price Gibson J-45
“It’s one of the most beautiful, living, breathing pieces of art – all the grime has just aged into the wood”: Margo Price on playing Willie Nelson’s Trigger, growing up with Gibson and bringing her signature J-45 to life
Johnny Marr sits against a brick wall and plays his new Martin M7 seven-string acoustic guitar
“I’ve got a friend in a well-known band, and he says Martins have unnecessary bottom-end. My retort was always: ‘Well, you need to learn to play properly’”: Johnny Marr on the magic of his 7-string signature Martin – and his fight with capo addiction
Danny Gatton performs onstage at The Ritz in New York City on June 4, 1981
“It's like the guitar is built for 10 fingers and two hands and he's got three hands and 17 fingers”: He was called “The Humbler” and regarded as one of the world's greatest under-the-radar guitarists – and he would solo with a beer bottle and a towel
Harley Flanagan
“I got that bass for $50 off this coke dealer. I don’t know what Jaco did to it, but he totally messed up the insides!” How Cro-Mags’ Harley Flanagan went from buying a Jaco Pastorius bass on the street to fronting one of hardcore’s most influential bands
John Sykes solos on his Gibson Les Paul Custom and it looks like he might even be two-hand tapping – this was the '80s, and this black-and-white image captures him in action on Whitesnake's 1984 tour in Chicago.
“He didn’t sound like any other previous Whitesnake guitarist. His thumbprint is an indelible part of that record”: Remembering John Sykes, the journeyman virtuoso who made his mark on both Thin Lizzy and Whitesnake