NAMM 2011: Roland GR-55

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More about multi effect pedals

TC Electonic Plethora X1 Tone Print Loader

“It can be whatever you want it to be at a moment’s notice – a great way to get maximum bang for your buck”: TC Electronic Plethora X1 TonePrint Loader review

“The asking price represents a sizable outlay, but it’s justified by the sheer range of quality effects”: Fractal Audio VP4 review

“I’m a death-to-genres guy. I’m not like, ‘Let’s do country now, let’s do rock.’ It’s like, ‘Let’s do music’”: Is it country, bluegrass, folk, rock? The Rose City Band don’t play within a genre, but they do play with them

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“Arguably the most convenient, immersive Spark product to date”: I've been using Positive Grid's Spark Neo guitar amp headphones for weeks – and while it's not the full Spark experience, it's got me playing guitar a lot more regularly

“We were given 10 to 15 dates, but we ended up playing only four or five because of conflicting member schedules… I knew I needed a change”: My band has 35 members in five countries – and it’s actually made my musical life easier

“I wanted to capture that destruction and endurance”: A devastating tornado threatened to tear apart Gillian Welch and David Rawlings’ beloved studio. Now they’ve documented the natural disaster – and their Nashville rebirth – on a new album

“Malcolm said, ‘I've got this riff, it's driving me nuts.’ It's three o'clock in the morning and I'm trying to sleep. I said, ‘It sounds fine to me.’ That was Back in Black”: Through 50 years of triumph and tragedy, they remain hard rock's greatest titans

“That move from F to Ab is either a clever allusion… or it’s an accident!” He’s one of the most influential bassists of all time, but did Motown’s James Jamerson make a mistake on this 1969 hit record?

“I sold all my stuff. I even left my car out on the street!” When asked by Miles Davis to move to New York and play some shows, bass great Dave Holland didn’t blink

“They told Gibson four days before the performance. I know they were working on the guitar nonstop”: Chappell Roan’s guitarist reveals the story behind the Grammys’ show-stopping – and last-minute – mirrorball Gibson Les Paul

“I have two sources of sound: the guitar pickups and the one in my hand. The less effects there are, the better I feel”: Thurston Moore hailed Nina Garcia as noise guitar’s secret weapon – and an unusual pickup is key to her otherworldly explorations

“I’ve brought that chef mentality to whatever I do. There’s not a lot of standing around and admiring my work. It’s, ‘Right, this needs to get done’”: Meet JWJ’s Rich Jones, the chef who turned luthier – and is serving up some mighty fine acoustics

“Metal suffers without dynamics. DADGAD can help without having to think about it. You can play chords that aren’t possible in standard tuning”: John Browne hasn’t played in standard tuning for 20 years. He explains why DADGAD is perfect for modern metal

“I’ve worked on pop sessions with artists who have a squeaky-clean image, but what’s behind the scenes is a lot darker than people’s perception of the hip-hop world”: How bassist Mike Elizondo brought low-end and soul to Dr. Dre’s superstar productions

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