Latest about Acoustic Guitars
"With effortless playability, charming good looks, and a distinctive sound, it's no wonder the J-45 is still going strong over 80 years after it was first introduced": Gibson J-45 Standard review
Gibson's legendary acoustic is beloved by everyone from Dylan to Slash, but is it really worth the price? We find out
Gibson’s Jimmy Page SJ-200 is a five-figure signature model based on an acoustic he borrowed to record Led Zeppelin’s debut album – before it was stolen
According to Gibson, the new acoustic has been “rendered to Page’s exacting recollection”, owing to the apparent absence of the original model
“How good is a guitar that breaks down into three parts going to sound? As it happens, we were in for a pleasant surprise”: Furch Little Jane LJ 10-SM review
Furch’s travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Taylor's new Legacy Collection revamps the spirit of its earliest acoustic designs
Five acoustic electric guitars have been crafted, bringing together the old and new in order to celebrate half a century of craftsmanship
Furch challenges Gibson, Ibanez and Taylor acoustic innovations with the Booster Soundport
The new approach follows similar secondary soundhole designs adopted by some other big-name brands, but does it in a rather unique way
"The sound is warm and inviting, with a powerful low-end thump that only comes from a jumbo acoustic": Guild F-55E review
The F-55E is a larger-than-life jumbo with an all-encompassing tone and striking good looks
How the Martin D-18 and D-28 changed the world – and became the definitive acoustic guitars
Loved by the likes of Eric Clapton, Joni Mitchell, Mark Knopfler and more, these Martin dreadnoughts are arguably the most successful guitar designs in history. Here's everything you need to know about this steel-string icon
This Taylor Swift-signed guitar was smashed at auction and went viral – now it has been sold at an even higher price
Texan Gary Estes insisted that the guitar smashing move was just a joke, whereas later reports suggested it was an obvious political statement
