“Create the perfect loop”: Mooer stokes the compact looper market with the GL100 – an AI-equipped looper/drum pedal that's less than $150
The space-saving stompbox boasts 300 minutes of looping time, an AI-powered drum machine, and dual footswitch controls alongside comprehensive features to rival the likes of Boss and TC Electronic
Mooer has further stoked the increasing competition that is currently taking place in the compact looper market by throwing the kitchen sink at its new feature-laden GL100 Looper & Drum Station.
Based loosely around the template of the MVP3 Loop Station, it’s headlined by 300 minutes of total loop time, a new 1.3” circular touchscreen that looks incredibly intuitive, and a memory slot count that reaches triple figures.
A dual-footswitch stereo phrase looper, the GL100 also offers a drum machine that is powered by the firm's AI Band Technology feature, making it very much a compact looper of the future.
The 300 minutes of looping can be saved manually or automatically into 100 different storage slots, which can then be imported or exported via supportive Mooer Studio software for Windows and iOS.
The dual footswitch operation has dominion over the looper’s controls with short presses and long holds to trigger phrase recording, playback, overdubs, and cancellations.
The pedal also has a position-jumping function, which “gives users the flexibility to switch between storage slots with the footswitches while performing”. This allows for more structured and pre-meditated performances as players call up pre-recorded loops to elevate their sessions.
Because too much choice is never a bad thing, there are two different ways to browse through pre-made phrase loop creations: by using the pedal’s menu encoder, or by pressing and holding the footswitches. This, Mooer says “enables dynamic looping control and real-time phrase selection without needing to stop playing the guitar”.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Another key feature is its flexible audio routing functionalities. Sure, the standard stereo input/output options are there, but they can be routed to work with different amplifiers or instruments, “allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner.”
That means the pedal isn’t restricted to one instrument or rig. So, one could use the pedal’s drum machine – featuring 11 variations of 20 different drum pattern styles in various time signatures with four stop modes for different loop endings – with a bass line recorded through a dedicated bass rig. Then, players can overdub those textures with electric or acoustic guitar layers, and so on.
The GL100 therefore has mono and dual-channel connections, and also offers the isolation of both drum machine and instrument channels. Time-stretch functionality, tap-tempo support, and quantization for precise looping are on tap, too, as Mooer looks to leave no stone unturned.
Lastly, the GL100 has been designed with multi-functionality in mind. It is said to be primed for the stage and the studio in equal measure, while the aforementioned software compatibility makes for a more intuitive recording management process.
Indeed, the loop pedal market has been heating up rapidly recently. Alongside Zoom's newest build, DigiTech has described its latest looper, the JamMan Solo HD as “the pinnacle of compact looper development,” while Ed Sheeran flipped the loop world on its head with the launch of his own line of products. That adds to existing offerings from big hitters like Boss and TC Electronic.
The GL100 is available now for $137.
Check out Mooer for more details.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.
“Like a DigiTech Ricochet channeling the spirit of a velociraptor”: Tallon Electric The Noise review
“You could describe it as an early ‘boutique’ pedal company… but its products were made in a damp, rat-infested basement”: Loved by Nuno Bettencourt, Jeff Beck and Kurt Cobain, the ProCo Rat graduated from dank basements to the world’s biggest albums