Ever wanted a guitar cable that matched your favorite BOSS pedal? Well, now you can

Boss accessories montage
(Image credit: BOSS)

NAMM 2025: If you're a fan of funky colors – and, even better, funky colored guitar accessories – BOSS has just announced the BIC-10A series instrument cables, which come in a variety of six colors, inspired by some of the most iconic BOSS pedals.

Color palette-wise, players can choose between orange (a nod to the DS-1 Distortion), yellow (the SD-1 Super Overdrive), green (PH-3 Phase Shifter), red (RC-1 Loop Station), or blue (CH-1 Super Chorus) – plus an added black option (MT-2 Metal Zone) for a more “traditional look.”

BOSS BIC-10A series instrument cables

(Image credit: BOSS)

Aside from the aesthetic appeal, each BIC-10A cable is offered in a 10ft/3m length and features studio-grade, oxygen-free copper core wire and custom-designed 1/4-inch straight and right-angle connectors that promise “excellent audio reproduction,” “precise signal transfer,” and, most importantly, “lasting durability.”

Alongside the launch of these cables, BOSS is also offering a compact solution for carrying multi-effects units, in the form of its CB-BM-S and CB-BM-M cases. Each case comes fully equipped with a rugged polyester exterior, a soft interior with microfleece lining, and a removable adjustable shoulder strap.

Boss pedal case

The Boss CB-BM-M case (Image credit: BOSS)

Due to its smaller size, the CB-BM-S has a single reinforced handle, as opposed to the CB-BM-M's two, and both options include pockets (in case you need more storage space).

According to BOSS, “The CB-BM-S is a perfect fit for the BOSS GX-10, GT-1, and GT-1B models, while the larger CB-BM-M fits the GT-1000, GX-100, ME-90, and ME-90B models.”

The BIC-10A series instrument cables are now available for purchase at select U.S. BOSS dealers for $22, while you can also bag the cases for $59, (for the smaller case) and $69 (the medium case).

For more information, visit BOSS.

Janelle Borg

Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.

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