Gear Tour: The Devil Wears Prada's Chris Rubey and Jeremy DePoyster

As we reported earlier, the new album from The Devil Wears Prada, Dead Throne, just debuted at No. 10 on the Billboard 200 chart, moving over 32,000 units in its first week.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.

Latest

“I wasn’t gifted with enormous speed on the guitar. There were years when I thought I could get that if I practiced enough. It wasn’t ever really going to happen”: David Gilmour explains the origins of his lauded ‘feel’ playing technique

See more latest ►

“A lot of my peers have turned to modelers. I’m not there yet. It still feels like an electronic toy to me”: Jerry Cantrell on his love of guitar duos, vibing off Jeff Beck on his solo album – and why he remains a digital tone skeptic

“We knew we didn’t want to do an acoustic version of Teen Spirit, that would’ve been horrendously stupid”: The story of Nirvana's seminal MTV Unplugged set

“I was about 11 – not old enough to understand how impactful it was. I understood what happened, but music took away the eerie mood”: Ethan Kahn learned to play after a high school shooting – now his band is championed by William DuVall and Rob Halford

“I don’t think Bill Carson played it that much. In contrast, I’ve had a couple of George Fullerton’s – and I could tell he smacked his guitars around”: Unpacking the mystery of this one-off 1960s prototype Telecaster, built for a Fender icon

“My playing has always sucked, but it sells, because I keep it simple, I guess. I’m not a guitar player, I never took the time”: Soul icon Steve Cropper on writing Green Onions, stressing out Brian May – and the secret of Billy Gibbons’ guitar style

“If he were just a pop guitar player, he would be a legend – this cat is arguably one of the greatest players to ever exist”: Cory Wong and Andy Timmons on the brilliance of George Benson, and his essential contributions to the guitar vocabulary

“Jaco was Joni’s liberator, but she wanted the bass to play a greater part in holding down the groove”: Larry Klein on how he handled the challenge of replacing Jaco Pastorius in Joni Mitchell’s band

“I had some friends make fun of me – they would call me the ‘Crazy Tube Guy,’ although in Greek”: Crazy Tube Circuits' Christos Ntaifotis on how his passion for collecting tube amps has inspired one of the most exciting stompbox brands in the world

“I got a call from Glenn Frey. I just said. ‘Where do I sign?’ Here they were asking me to join The Eagles without playing one lick of music with them”: Timothy B. Schmidt joined The Eagles at the height of Hotel California – and didn't even audition

“Slash came to the studio, and told Axl that he was on his way to do this with me – Axl was keen to sing a few songs”: Michael Schenker on celebrating UFO with Axl Rose, Slash, and Dee Snider, and why he's come full circle with Gibson

“At the end of a tour Bert said to his roadie, ‘Do you want a guitar? Take your pick.’ And the guy said, ‘Well, I’d like that Fylde...” Gordon Giltrap on why Bert Jansch changed his life – and how he ended up with the folk icon’s ’70s acoustic

Get The Pick Newsletter

Most Popular