Friedman Amplification Unveils Two New Overdrive Pedals

Friedman Amplification has announced two new overdrive pedals, the BE-OD Deluxe and Golden Pearl.

Like the original BE-OD, the BE-OD Deluxe’s amp-like distortion is based on the Friedman BE-100, but the Deluxe adds a second channel and dual midrange controls.

The top row of controls is the same as the original BE-OD, while the bottom row features slightly lower gain. Controls include a three-position tight switch, volume, gain, bass, middle, treble and presence. The pedal is powered by 18V DC, but includes a splitter cable to allow you to do just that using an isolated pedal power supply.

The Golden Pearl is a lower-gain overdrive, intended to push already overdriven amps or to insert just-broken-up tones into a clean amp. The pedal features a three-position high-frequency cut switch and a tri-mode clipping voice switch (for LED, diode or no clipping), and can be powered by 9-18V power supplies.

The BE-OD Deluxe and Golden Pearl are available starting November 19 for $269 and $169 respectively.

For more info on the pedals, head on over to friedmanamplification.com.

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.

More about effects pedals

The Line 6 HX Stomp just got a $100 discount at Guitar Center – here's 5 reasons it's been on my 'board for the past two years

“This $2 billion company has assimilated the history of Musitronics as if it was their own”: Behringer blasted by Mu-Tron III maker following the release of $69 replica

Don Felder performs onstage during the Eighth Annual LOVE ROCKS NYC Benefit Concert For God's Love We Deliver at Beacon Theatre on March 07, 2024 in New York City

“I started the introduction for Tequila Sunrise, and was like, ‘Wait a minute. This feels like acid.’ I just felt like I'm leaving my body”: Former Eagles guitarist Don Felder speaks out after mid-performance medical emergency

See more latest

“Malcolm said, ‘I've got this riff, it's driving me nuts.’ It's three o'clock in the morning and I'm trying to sleep. I said, ‘It sounds fine to me.’ That was Back in Black”: Through 50 years of triumph and tragedy, they remain hard rock's greatest titans

“That move from F to Ab is either a clever allusion… or it’s an accident!” He’s one of the most influential bassists of all time, but did Motown’s James Jamerson make a mistake on this 1969 hit record?

“I sold all my stuff. I even left my car out on the street!” When asked by Miles Davis to move to New York and play some shows, bass great Dave Holland didn’t blink

“They told Gibson four days before the performance. I know they were working on the guitar nonstop”: Chappell Roan’s guitarist reveals the story behind the Grammys’ show-stopping – and last-minute – mirrorball Gibson Les Paul

“I have two sources of sound: the guitar pickups and the one in my hand. The less effects there are, the better I feel”: Thurston Moore hailed Nina Garcia as noise guitar’s secret weapon – and an unusual pickup is key to her otherworldly explorations

“I’ve brought that chef mentality to whatever I do. There’s not a lot of standing around and admiring my work. It’s, ‘Right, this needs to get done’”: Meet JWJ’s Rich Jones, the chef who turned luthier – and is serving up some mighty fine acoustics

“Metal suffers without dynamics. DADGAD can help without having to think about it. You can play chords that aren’t possible in standard tuning”: John Browne hasn’t played in standard tuning for 20 years. He explains why DADGAD is perfect for modern metal

“I’ve worked on pop sessions with artists who have a squeaky-clean image, but what’s behind the scenes is a lot darker than people’s perception of the hip-hop world”: How bassist Mike Elizondo brought low-end and soul to Dr. Dre’s superstar productions

“Technically, it’s for sale – I’ve priced it at a point where I hope nobody will ever buy it because I know I’ll never see another”: Why the 1960s Fender Bass VI is a tone machine that (almost) defies categorization

“Someone once gave me an old Danelectro guitar they bought at a garage sale for $10. I still have it and used it on a bunch of my records”: Shred hero Vinnie Moore reveals his greatest gear hits and misses – and why the best guitars are free

“My ethos is, ‘Choose any guitar you want.’ It doesn’t matter at the end of the day. I’d rather spend the money on pedals”: Introducing Ditz, the UK post-punks who don’t mind fighting their equipment to achieve their vicious six-string bite

Get The Pick Newsletter

Most Popular