Dunlop Introduces John Petrucci Signature Jazz III Pick

Dunlop worked closely with prog-rock legend John Petrucci of Dream Theater to design the John Petrucci Signature Jazz III pick.

“This pick is an essential tool for achieving the ultimate tone and greater levels of speed and accuracy in my playing,” Petrucci said. “Everything from the material, shape, contours and bevels to the thickness and grip were taken into consideration, and several prototypes were made along the way. I’m psyched that my dream for the ultimate pick has been realized — I hope other players try it and enjoy it as much as I do.”

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Damian is Editor-in-Chief of Guitar World magazine. In past lives, he was GW’s managing editor and online managing editor. He's written liner notes for major-label releases, including Stevie Ray Vaughan's 'The Complete Epic Recordings Collection' (Sony Legacy) and has interviewed everyone from Yngwie Malmsteen to Kevin Bacon (with a few memorable Eric Clapton chats thrown into the mix). Damian, a former member of Brooklyn's The Gas House Gorillas, was the sole guitarist in Mister Neutron, a trio that toured the U.S. and released three albums. He now plays in two NYC-area bands.

Latest

“I was about 11 – not old enough to understand how impactful it was. I understood what happened, but music took away the eerie mood”: Ethan Kahn learned to play after a high school shooting – now his band is championed by William DuVall and Rob Halford

See more latest ►

“You should know the music so well that you could still play it perfectly while someone is screaming in your ear”: 15 pro guitarists share their tips for memorizing music

“The Who, Van Halen – the whole thing where there’s a separate singer from the lead guitar player. That started with Hubert Sumlin and Howlin’ Wolf”: Vernon Reid on the 7 riffs that inspired him, from Hendrix to Chic, Cream, and more

“People warned me, ‘If you work with Ritchie Blackmore, you could last 5 minutes. He could chew you up, spit you out. You could end up with nothing.’ So I did have to think about it”: Bob Daisley on Rainbow, Ozzy – and pairing-up with Randy Rhoads

“We were opening for ZZ Top at Madison Square Garden. I told the guys, ‘I’ll go out there and blow for 60 seconds, then we’ll go into the first tune.’ I hit the first chord and my Marshall blew up”: Richie Sambora on Bon Jovi's nightmare arena debut

“My first real gig with The Band was in front of 25,000 people and we had no real rehearsal… We just flew out to Dallas and opened for Crosby, Stills & Nash”: Jim Weider on replacing Robbie Robertson – and the ’52 Tele he got while working at a car wash

“$499 is incredibly high value for a guitar you can go and buy, and go and gig it. And that’s what I want: it’s not a toy”: PRS’ Jack Higginbotham reflects on the history of the SE line

“Tom Morello ended up flying to Seattle and doing the vocals with Layne Staley. Tom came back and was like, ‘He’s in really bad shape. It’s scary’”: Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle

“I was a Brian May obsessive. I had the Star Licks video and had learned it all by the time I was 14”: Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning

“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp

“Verböten played right across the street from Wrigley Field. Dave Grohl came with his sister when he was 13 and saw us play”: Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to the untapped guitar playing of David Gilmour’s solo albums

Get The Pick Newsletter

Most Popular