Buffalo FX Announces the Patriot Mk II Pedal

French pedal maker Buffalo FX has introduced the Patriot Mk II, an update to its original Patriot muff circuit.

The Patriot is based on the Civil War Muff circuit, with Buffalo promising David Gilmour-like tones circa Pink Floyd’s 1994 The Division Bell tour. The new iteration offers the full range of tones of the original Patriot, with additional low-end cut and midrange boost.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.

Latest

Jazz great Tal Farlow plays his Gibson hollowbody onstage at Newport, wincing as he plays a run.

A working knowledge of adventurous chord alternatives is a crucial yet underrated skill. Here are 5 ideas for how you can revoice guitar chords, and enhance your progressions

See more latest ►

“$499 is incredibly high value for a guitar you can go and buy, and go and gig it. And that’s what I want: it’s not a toy”: PRS’ Jack Higginbotham reflects on the history of the SE line

“Tom Morello ended up flying to Seattle and doing the vocals with Layne Staley. Tom came back and was like, ‘He’s in really bad shape. It’s scary’”: Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle

“I was a Brian May obsessive. I had the Star Licks video and had learned it all by the time I was 14”: Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning

“My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp

“Verböten played right across the street from Wrigley Field. Dave Grohl came with his sister when he was 13 and saw us play”: Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to the untapped guitar playing of David Gilmour’s solo albums

“My custom-made classical guitar with the synth module was stolen while we were on tour. I got it back thanks to some people who worked with Joe Bonamassa”: Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less

“Was that open-string a mistake or pure brilliance? Who cares? It’s a masterpiece”: Did bass maestro Willie Weeks miss a note on this Donny Hathaway classic?

“Jimi Hendrix was my superhero, and so I threw a bit of his style into the bassline”: How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine

“Lots of what I play, I wouldn't know how to describe it… I’m following my nose all the time. It’s a process of instinct and desire”: Meet Lazy Day’s Tilly Scantlebury – the UK guitarist-producer summoning sparkling indie tones from secondhand setups

“Aqualung was Ian’s riff. The solo was all done on the fly. If I hadn’t got it in two takes then it would have been a flute solo. That’s when Jimmy Page came up to say hello”: Martin Barre on Jethro Tull, the Aqualung sessions – and supporting Hendrix

Get The Pick Newsletter

Most Popular