Boss Announces New GT-1000 Guitar Effects Processor

Features
By published

Boss has announced its new GT-1000 guitar effects processor. The new processor is the first-ever guitar multi-effects processor with 32-bit AD/DA and 32-bit/96 kHz internal processing.

Driven by Boss' latest custom DSP engine, the GT-1000 includes a wide range of amplifier types, newly built with the comprehensive Tube Logic design approach behind the Katana, Waza, and Blues Cube amplifiers. Also featured is Boss' Augmented Impulse Response Dynamics (AIRD) technology, which came about through the company's research into the complex component interactions in classic guitar amplifiers. AIRD provides new levels of performance when using the GT-1000’s preamps with guitar amps and power amps, and previously unattainable realism in direct recording and full-range monitoring applications.

Inside the GT-1000 is an impressive selection of effects, with BOSS’s Multi-Dimensional Processing (MDP) on board along with advanced modulation, delay, and reverb algorithms from the company's 500-series pedals. Users can configure amps and effects with numerous routing options and enjoy mute-free patch switching and delay/reverb carryover thanks to the DSP engine.

The GT-1000 offers intuitive editing and powerful control with a large display, 10 assignable footswitches, and an onboard expression pedal with toe switch. Via built-in Bluetooth, users can edit and organize GT-1000 sounds wirelessly using dedicated apps for iOS and Android devices.

For more information, stop by boss.info.

Guitar World Staff
Guitar World Staff

Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

More about effects pedals
EarthQuaker Devices Chelsea Low End Fuzz Driver

“All the idiosyncrasies of the original but without the threat of total collapse”: LCD Soundsystem used a ‘one-of-a-kind’ vintage pedal to define their fuzz tones – and now it’s been recreated by EarthQuaker Devices
Keeley x Sweetwater Exclusive Super Bass, Soft, Suns

“These $99 pedals are excellent not only for their price, but also their sounds”: Keeley x Sweetwater Soft Reverb, Super Bass Overdrive And Distortion and Suns Ultravoid Fuzz review

Tom Petty and Mike Campbell

“I brought a musicality that Tom wasn’t capable of. I had techniques that I could express to him in his songs that he couldn't have done on his own”: Mike Campbell on what he brought to the Heartbreakers as Tom Petty’s guitar foil
See more latest
Most Popular
Robert Sledge of Ben Folds Five performs at SummerStage at Rumsey Playfield, Central Park on September 14, 2012 in New York City.
“The guys were like, ‘Just go for something crazy, and then make it crazier.’ They just couldn’t stop me, man!” The wildest bass solo you’ve never heard? Robert Sledge cranked the fuzz for this Ben Folds Five classic
Courtney Barnett plays a Fender Kurt Cobain Jaguar in studio
“I’ve used Teles and Strats, but I always find myself going back to that Jag – something about the Cobain Jag just sounded extra-beefy”: Courtney Barnett is one of indie-rock’s most celebrated southpaws – and the Nirvana Fender connection runs deep
Rosanne Cash playing her Gibson acoustic guitar – her 'Cash' strap lies beside her on a table
“I can play barre chords and my dad couldn’t. He had a strum that was identifiably his, but I learned from the Carter women. Mine is more of a Carter scratch”: How Rosanne Cash found her sound – and captured Johnny’s design flair in her signature Gibson
Tommy Thayer of KISS performs onstage during the Tribeca Festival screening of "Biography: KISStory" at Battery Park on June 11, 2021 in New York City.
“I remember thinking, ‘I’ll show them – they don’t realize they made a mistake.’ It’s not just the wins, it’s the determination you build from the losses”: Tommy Thayer’s junior high disappointment fired him up for success with Kiss
Nate Garrett of Spirit Adrift pictured at home with a Gibson Les Paul. He wears a Danzig T-shirt and is there are books, amps, and LPs in the background.
“I want some people to be outraged – I feel like that would be a true way to honor Type O”: Welcome to Nate Garrett’s Neon Nightmare, the Spirit Adrift guitarist’s ’80s horror-inspired tribute to Peter Steele
Man playing acoustic guitar in his garden
"Upgrading from your entry-level acoustic opens the door to an entirely new world of tonewoods, body shapes, and brands": 6 signs it's time to upgrade from your first acoustic guitar
Man playing Fender Telecaster while sitting down
“It began as a sharp abdominal pain. A decade later I received the shock diagnosis – I had ‘Telecaster Rib’”: I spent thousands trying to identify the source of my pain – it turned out to be my Fender Telecaster
Dario Lorina poses with a Wylde Audio electric guitar
“It was under my dad’s bed when I was a kid. When it slid out from underneath the bed… it was like the heavens were opening up”: How Zakk Wylde’s sparring partner Dario Lorina started a new chapter – with the help of a holy grail Les Paul
Paul Gilbert poses with his Ibanez Kikusui Fireman, a guitar inspired by a sake bottle
“I put large erasers under the pickups. I play pretty loud with Mr. Big, so I take extra precautions to keep feedback to a minimum”: Paul Gilbert names his three favorite guitars – including one that was stolen very recently
Bassist and keyboard player John Paul Jones performing with British heavy rock group Led Zeppelin, at Earl's Court, London, May 1975. The band were initially booked to play three nights at the venue, from 23rd to 25th May, but due to public demand, two more concerts were later added, for 17th and 18th May.
“Bonzo and I were great groovers. People would dance to our music. There aren't many hard rock bands these days that people dance to”: John Paul Jones breaks down his Led Zeppelin bass approach – and what separated his and Jimmy Page's riffs