AXOLOGY: Carr Amplifiers introduces Raleigh amp

Features
By published

Carr’s new Raleigh amp is a three-watt 1x10 compact tube combo designed for home and studio use.

The Raleigh features an Eminence ’Lil Buddy hemp-cone speaker and a complement of two 12AX7 tubes and one EL84 tube. The amp has controls for volume, tone and master volume and a gain/master toggle switch. Sounds range from glassy Sixties-era blackface tones to juicy sustained overdrive.

The Raleigh measures 16 x 12 1/8 x 8 1/4 inches (WxHxD) and weighs 21 pounds. It’s available in a black cabinet with black front panels ($1,250), in custom-color cabinets with custom-color front panels ($1,350), and in color cabinets with maple or cherry front panels ($1,500).

Christopher Scapelliti
Christopher Scapelliti

Christopher Scapelliti is editor-in-chief of Guitar Player magazine, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.

More about amps

“If you’ve ever wondered what unobtanium looks like in amp form, this is it”: Played and revered by Stevie Ray Vaughan, Carlos Santana, and John Mayer, Dumble amps have an almost mythical reputation. But what's all the fuss really about?

“For the price, it’s pretty much unbeatable”: Harley Benton JAMster Guitar review

How to get better at guitar – 10 proven ways to improve your playing fast
See more latest
Most Popular
Ray Aggs
“I’ve never bought a guitar and I’m quite proud of that! I always tell people when they’re learning: there’s a guitar not being played”: Meet Sacred Paws’ Ray Aggs, the dextrous Tele-wrangler inventing new chords and capturing Thurston Moore’s imagination
EHX founder Mike Matthews stands in a warehouse with his fists in the air. He wears a tan jacket and has a trademark cigar in his mouth.
“Jimi was staying at a hotel in Times Square. He had his hair set in pink curlers and we would just talk band drama”: Electro-Harmonix founder Mike Matthews on befriending Hendrix, booking Chuck Berry and the birth of pedal culture
Yves Jarvis
“I didn’t use any amps. The pedal that saved me was the Boss Super Overdrive”: How Yves Jarvis made 2025’s most exciting experimental record so far with a $50 Explorer knockoff and an unbelievably weird tuning
Buddy Guy performs onstage in London in October 1965
“Chess was cussin' when I got to the session with Muddy. But when he heard me, he just sat there with his mouth open”: Leonard Chess wanted to cash in on the folk boom, and asked Muddy Waters to bring him an old acoustic bluesman. He brought him Buddy Guy
[from left] George Harrison with his Gretsch Country Gentleman, Norman Harris of Norman's Rare Guitars holds a gold-top Les Paul, John Fogerty with his legendary 1969 Rickenbacker
“I didn’t think anybody would believe I got it from George Harrison. I figured they’d call me a liar”: Vintage guitar guru Norman Harris names the 5 most memorable guitars that have come through Norman's Rare Guitars
View from behind the camera as a man records a guitar performance
“You better be ready to prove it’s something you can do”: Giacomo Turra got exposed – but real guitar virtuosos are being wrongly accused of fakery, too
Talking Heads live at CBGB's, in 1977. On the right, David Byrne tuneshis Fender Strat, while Jerry Harrison – also playing a Strat – looks on.
“I was really broke. The only way I could get to New York to try out for Talking Heads was to take a family who were moving there in the band van”: Jerry Harrison on making Talking Heads’ 1977 debut and rejecting blues-rock to shape the CBGB guitar sound
Paul Reed Smith performing earlier this year at PRS’s 40th Anniversary concert where he played a final prototype of the new Charcoal Phoenix. It’s all on YouTube!
“What blew me away was that everyone wanted the curly maple top. People were calling, saying, ‘I’ve got to have the bird inlays’”: Paul Reed Smith on raising the Standard 24, finally cracking the noise-free guitar and why John Sykes is a tone hero
Stevie Ray Vaughan plays his #1 Stratocaster (left), Stevie Wonder sits at a keyboard
That time Stevie Wonder jammed with Stevie Ray Vaughan... and played SRV's number one Strat
Albert Collins performs at the San Francisco Blues Festival at Fort Mason in San Francisco, California on September 15, 1990
“Freddie King would ask me why I never tried using thumbpicks... I really like digging in with my fingers”: He replaced Jimi Hendrix in Little Richard's band, was idolized by Stevie Ray Vaughan, and is one of the most underrated Tele slingers of all time