Amp Reviews
Latest Amp Reviews

“One of Supro’s finest combo offerings thus far”: Supro Black Magick Reverb TB review
By Paul Riario published
Tyler Bryant's signature tube combo brings more power, blendable channels and headroom for pedals – but you might want to just crank it up for that sweet overdrive

"If you’re looking for a no-nonsense giggable tube head that covers a lot of ground, there isn’t much that beats the Dual Terror at this price point": Orange Dual Terror review
By Richard Blenkinsop published
A fuss-free dual-channel tube head that delivers some of the best tones available at this price point – and higher

“Could this be the most impressive tube amp under $700? For simpler needs, we definitely think it’s up there”: Blackstar TV-10 B combo amp review
By Amit Sharma published
The British amp wizards once again succeed in making boutique tones affordable

“Luscious high-gain distortion and tight-but-mammoth bottom end”: Peavey Invective .112 combo review
By Chris Gill published
Peavey's Misha Mansoor tube amp collab is reimagined as a 1x12 combo, with an expanded clean channel and all the the gain the 21st-century metal player needs

"This is an upgrade in every sense": Boss Katana-Mini X guitar amplifier review
By Rob Laing published
Boss makes its mini amp bigger – and worthier of the Katana name

“The amp easily turned in a convincing Van Halen ‘brown’ sound”: Laney LFSUPER60-112 Combo review
By Martin Smith published
Can this Lionheart Foundry combo from Laney win the solid-state wars?

“A masterclass in versatility, seamlessly bridging the gap between practice and performance”: Boss Katana Gen 3 Head review
By Ross Holder published
Is there a more versatile, all-round amplifier on the market today than the Katana Head Gen 3? Let’s find out

“Each guitar sounded stunningly warm, natural and lush”: Circa ’74 150-10 Acoustic/Vocal amp review
By Chris Gill published
Meet the guitar amp that's literally Taylor-made for the acoustic in your life, with a high-end design and performance that will look after your vocals, too
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