Latest about Guitar Amp Heads
Marshall unveils factory modded takes on the 1959 Plexi and JCM800 – tipping its cap to the amp wizards of rock’s golden era
The firm has unveiled two new UK builds that are heaving with popular after-market mods
Orange launches “studio-grade and gig-ready” Baby Range – three affordable, compact heads that downsize classic Orange tones
NAMM 2025: The three amps are travel-friendly and offer versatile tone-sculpting features for the studio and the stage
Marshall teases the release of a modded JCM, as a new era for the legendary amp brand beckons
The British gear firm is preparing for its first NAMM in five years – and it looks like a new range of effects pedals is on the cards, too
Mesa/Boogie resurrects a ’90s icon with its reissued Dual Rectifier – and the holy grail amp head has been given some upgrades
Beloved by a crop of elite artists over the years, the legendary Dual Rectifier is finally back... with a few choice tweaks
We’ve played the Dimebag Warhead amp – and it is 100% crushing
Five minutes alone with this face-ripper and and we are officially in love
Blackstar gives its brand-defining Series One amp an extensive modern reboot for the first time in nearly 20 years
Over 30 circuit modifications and voice tweaks have been rolled out to the new-and-improved Series One amp, which is joined by a matching cab
“A masterclass in versatility, seamlessly bridging the gap between practice and performance”: Boss Katana Gen 3 Head review
Is there a more versatile, all-round amplifier on the market today than the Katana Head Gen 3? Let’s find out
“Exceptional tones… All the mids-forward guts one might expect”: PRS DGT 15 Head review
PRS has updated its Texas-voiced David Grissom signature amp with more features, lower wattage and a more approachable price tag
“The boutique amp market thrives and exists as it does today largely thanks to Mike Soldano”: From Eddie Van Halen and Steve Vai to Eric Clapton and Mark Knopfler, the Soldano SLO-100 changed the sound of shred and blues alike
The SLO-100 made its bones in the hard-rock and shred scenes and yet found its true calling as the amp of choice for Clapton, Knopfler, et al. What makes it such an enduring, versatile model?
