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Are you a Defender of the Faith? Do you want to appear in the pages of Guitar World magazine? Here's your chance! Email a photo of you with your guitar, along with the answers to the following categories to defendersofthefaith@guitarworld.com

  • NAME / AGE
  • HOMETOWN
  • GUITARS
  • SONGS I'VE BEEN PLAYING
  • GEAR I MOST WANT

Every issue we feature three readers. So what are you waiting for? Email us your info, and you just might be one of the lucky few chosen.

Also, check out the gallery of some of our previous Defenders picks below.

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Guitar World Staff
Guitar World Staff

Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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“I was in a frenzy about it being trapped and burnt up. I knew I'd never be able to replace it”: After being pulled from the wreckage of a car crash, John Sykes ran back to his burning vehicle to save his beloved '76 Les Paul
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John Sykes performs onstage with Whitesnake at the UIC Pavilion in Chicago, Illinois on November 10, 1984
“I was in a frenzy about it being trapped and burnt up. I knew I'd never be able to replace it”: After being pulled from the wreckage of a car crash, John Sykes ran back to his burning vehicle to save his beloved '76 Les Paul
Steve Stevens' Ciari Ascender
“It holds its own purely as a playable guitar. It’s really cool for the traveling musician – you can bring it on a flight and it fits beneath the seat”: Why Steve Stevens put his name to a foldable guitar
Andy Fairweather Low poses with his Gibson guitars
“I wanted to play more, and it was inappropriate with Eric or Roger. I was not the lead guitarist, and I wanted to be”: Clapton, Waters, Satriani and me – Andy Fairweather Low on his greatest collaborations and finally taking center stage
Margo Price Gibson J-45
“It’s one of the most beautiful, living, breathing pieces of art – all the grime has just aged into the wood”: Margo Price on playing Willie Nelson’s Trigger, growing up with Gibson and bringing her signature J-45 to life
Johnny Marr sits against a brick wall and plays his new Martin M7 seven-string acoustic guitar
“I’ve got a friend in a well-known band, and he says Martins have unnecessary bottom-end. My retort was always: ‘Well, you need to learn to play properly’”: Johnny Marr on the magic of his 7-string signature Martin – and his fight with capo addiction
Danny Gatton performs onstage at The Ritz in New York City on June 4, 1981
“It's like the guitar is built for 10 fingers and two hands and he's got three hands and 17 fingers”: He was called “The Humbler” and regarded as one of the world's greatest under-the-radar guitarists – and he would solo with a beer bottle and a towel
Harley Flanagan
“I got that bass for $50 off this coke dealer. I don’t know what Jaco did to it, but he totally messed up the insides!” How Cro-Mags’ Harley Flanagan went from buying a Jaco Pastorius bass on the street to fronting one of hardcore’s most influential bands
John Sykes solos on his Gibson Les Paul Custom and it looks like he might even be two-hand tapping – this was the '80s, and this black-and-white image captures him in action on Whitesnake's 1984 tour in Chicago.
“He didn’t sound like any other previous Whitesnake guitarist. His thumbprint is an indelible part of that record”: Remembering John Sykes, the journeyman virtuoso who made his mark on both Thin Lizzy and Whitesnake
Yvette Young sits at home with her pink Ibanez Talman prototype with Wilkinson P-90 pickups.
“My worst case of buyer’s remorse? An impulse-buy banjo. I was third-wheeling on a date, and I felt awkward”: Yvette Young on how to buy a guitar, and why – maybe – you should think twice before lending anyone a beloved acoustic
Bob Dylan performs onstage in Verona, Italy on May 29, 1984 (left), Bob Dylan performs onstage with the Plugz on Late Night with David Letterman on March 22, 1984
“What’s going through our mind is ‘What the…?’ And if you see Bob’s face, you could see he’s thinking the same thing”: When Bob Dylan played with an LA punk band to promote the album he made with Mark Knopfler