“No matter what type of playing it is, the ones that stand out have their own unique personality. Yngwie means it. He owns that. Whether you like it or not”: Slash on reassessing the ’80s “tremolo fiends” – and why Van Halen was a blues player

A top-hatted Slash plays a Gibson Les Paul onstage
(Image credit: Matthew Baker/Getty Images)

From his earliest days with Guns N’ Roses, it was clear that’s Slash’s lead guitar style – be it the direct, deep-in-the-pocket pentatonic licks and gritty double-stop bends of Welcome to the Jungle or the emotive, vocal-like phrasings that characterized Sweet Child O’ Mine – was heavily steeped in the blues.

And yet, he came up in a time and place – 1980s Los Angeles, to be exact – when hard rock had largely eschewed those stylistic hallmarks in favor of an acrobatic and highly technical approach that emphasized speed and flash over feel and, sometimes, taste.

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Richard Bienstock

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.