“If Mick Jagger held a gun to my head, telling me to play Satisfaction I'd have said, ‘Just shoot me’”: Joy Division hero Peter Hook looks back on his genre-defining legacy
As the respective legacies of Joy Division and New Order grow, year on year, Peter Hook continues to tread his individual path
Peter Hook is known for some of the most haunting upper-register basslines ever recorded – Joy Division’s Love Will Tear Us Apart and New Order’s Regret being just two obvious examples.
Looking back on the impact of Joy Division’s Unknown Pleasures it almost feels inevitable that it would become such a landmark release in rock music. At the time, however, it was more as if they were making it up as they went along.
“We were teenagers,” said Hook in the September 2019 issue of Bass Player. “Confused, anxious, and rebellious.”
Although Joy Division may have been playing a more intelligent form of punk rock, it was punk rock nonetheless.
“There’s this theory that when any punk band tries to learn the rules, they can't do it any more. There's evidence for that, they can get too conscious. Still, some of our songs are hard to play even now. Songs like Transmission can make your hand feel like it's about to drop off.”
Hook regards Joy Division's debut as more of a jam record. ”People would ask why the first verse was 16 bars and the second only eight, but there's no cataclysmic reason behind it. We just counted wrong, but it sounded good!”
Whenever producer Martin Hannett felt the bass chords needed more clarity, they would record notes separately and simply add them together. There was also the fact they didn't have the time or money to fix any mistakes.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
On Joy Division's defining moment – the 1980 non-album single, Love Will Tear Us Apart – it was Hook's contrasting open strings against notes high up the neck of a Hondo II Rickenbacker copy that inspired its sullen, era-defining vocal melody. This came from his refusal to stay in the background.
"They tried asking if I could just follow the root. I said, ‘No, how about you follow me?’, probably out of ignorance, because I didn't know what a root note even was. I've never liked to be hidden, and I don't like to be patronized. I don't buy into the idea that the bass player is the quiet one who drives the van.”
In January 2021 Yamaha announced the extremely limited-edition Peter Hook Signature BB bass. Hook has played BB basses for decades, starting with the 600 model and graduating to the 1200S. The signature bass combines elements of the latter model.
“It’s such a compliment to be recognised for what you’ve done. To have it come full circle and culminate with my own signature bass, made to my specs and to satisfy my playing, is such an honour, and I’m very happy with it. I’m very proud to have worked with Yamaha to develop the BBPH, and I think it’s one of the best guitars in the world, if I do say so myself!”
Holding his signature Yamaha bass, and looking every bit the punk legend he is, Hook regales us with a few lesser-known facts about his genre-shaping career.
“I've been offered so many gigs – Echobelly, Elastica, Primal Scream, and Killing Joke – but I couldn't do them. I'd be all over the place. I found out I was fifth in line for the Rolling Stones when Bill Wyman left. Luckily number four got it!”
“If Mick Jagger held a gun to my head, telling me to play Satisfaction I'd have said, ‘Just shoot me. There's no way I can play that shit!’ I've never been good at playing other people's music, which is a strange thing to admit, but I've been lucky with what I do.”
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Nick Wells was the Editor of Bass Guitar magazine from 2009 to 2011, before making strides into the world of Artist Relations with Sheldon Dingwall and Dingwall Guitars. He's also the producer of bass-centric documentaries, Walking the Changes and Beneath the Bassline, as well as Production Manager and Artist Liaison for ScottsBassLessons. In his free time, you'll find him jumping around his bedroom to Kool & The Gang while hammering the life out of his P-Bass.
“Push comes to shove, then some guys pulls a knife. They arrested him – but that was my introduction to Dave’s band”: Alex Van Halen on the first time he and Eddie met David Lee Roth at a show that nearly ended in violence
“It dishonors that brand to say, ‘Now we’re King Crimson.’ But we do have the ability to say, ‘Look, this is legitimate – half of the band is onstage here”: Adrian Belew, Steve Vai and Tony Levin on how they made Beat – with Robert Fripp’s blessing