October 2013 Guitar World: Avenged Sevenfold Talk 'Hail to the King,' Yngwie Malmsteen, Mick Mars, Buddy Guy, Mayhem Fest and More

The all-new October 2013 issue of Guitar World is available now! And you have two covers to choose from!

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Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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Kenny Wayne Shepherd in wears a wide-brimmed hat and leather jacket onstage and plays a Fender Stratocaster under the stage lights.

“Dumble told me to bring it to him because he had a mod he could do. It’s the only Dumble Fuzz Face that I’m aware of”: Kenny Wayne Shepherd on unicorn stompboxes, the quest for feel and why budget guitars can make you a better player

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“Billy Corgan literally said he wanted the ‘Sabbath note.’ He wanted that midrange that Tony Iommi has that really cuts through”: Reverend Guitars’ founders on their wild signature collabs with Smashing Pumpkins, Vernon Reid and Reeves Gabrels

“Was smoking Hendrix’s Strat my wildest studio experience? Oh, certainly not! We always went full tilt. There was never a dull day!” Steve Cradock on his star-studded session with Paul McCartney, SGs vs Teles – and the joint he laced with Hendrix’s guitar

“I don’t trespass on people’s style. It’s like, ‘Oh, God, you sound like that guy... Why?’ We’ve already seen that painting, don’t do that. It’s boring”: The Pixies’ guitarist Joey Santiago on living life as an outsider guitar hero

“Everyone knows Take My Breath Away, the chart-topping ballad from Top Gun. But there’s a good chance you haven’t heard this seven-minute anthem”: David Gilmour's 10 greatest guitar guest appearances, from folk legend Roy Harper to Paul McCartney

“I stopped caring what people thought. I stopped trying to sound like other people and my sound emerged. It was literally timed with my transition”: Ella Feingold gigged with Erykah Badu and jammed with Prince, but her transition made her a player

“A lot of my peers have turned to modelers. I’m not there yet. It still feels like an electronic toy to me”: Jerry Cantrell on his love of guitar duos, vibing off Jeff Beck on his solo album – and why he remains a digital tone skeptic

“We knew we didn’t want to do an acoustic version of Teen Spirit, that would’ve been horrendously stupid”: The story of Nirvana's seminal MTV Unplugged set

“I was about 11 – not old enough to understand how impactful it was. I understood what happened, but music took away the eerie mood”: Ethan Kahn learned to play after a high school shooting – now his band is championed by William DuVall and Rob Halford

“I don’t think Bill Carson played it that much. In contrast, I’ve had a couple of George Fullerton’s – and I could tell he smacked his guitars around”: Unpacking the mystery of this one-off 1960s prototype Telecaster, built for a Fender icon

“My playing has always sucked, but it sells, because I keep it simple, I guess. I’m not a guitar player, I never took the time”: Soul icon Steve Cropper on writing Green Onions, stressing out Brian May – and the secret of Billy Gibbons’ guitar style

“If he were just a pop guitar player, he would be a legend – this cat is arguably one of the greatest players to ever exist”: Cory Wong and Andy Timmons on the brilliance of George Benson, and his essential contributions to the guitar vocabulary

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