Metallica's Death Magnetic: Reader Reviews
Death Magnetic is finally out, and we want to know what you think! Curious about what we think? Here are some of our impressions now that we've spent a few days listening to it:
* Best Metallica record since the Black Album
* Amazing, vintage-style Hetfield galloping/chugging riffs. Blazing Hammett solos.
* Album has terrific pacing...numerous songs start off at once pace and build and build to a frenetic speed metal crescendo, always making you feel like the song ended on a brilliantly energetic note.
* Standout tracks: "All Nightmare Long" (best Metallica song since 1991), "That Was Just Your Life," "My Apocalypse" and "Judas Kiss." Weakest song: "Cyanide." Decent ones: "The End of the Line," "Broken, Beat and Scarred," "Suicide & Redemption."
* James' vocals are okay, maybe a little too clean this time. Not gruff enough for our tastes (he kills on "All Nightmare Long," though).
* Overall, the record is a pleasant surprise: it totally rips in many places, and has many more highlights than lowlights.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Now we want to know what you think. Add your comments below!
Since 1980, Guitar World has brought guitarists the best in-depth interviews with great players, along with exclusive lessons, informative gear reviews and insightful columns that help guitarists grow and excel on their instrument. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is your guide.
“I thought that it was a crime that these songs were sitting there on the shelf”: In the 1970s, Hayley Williams’ grandfather made an album that nobody heard. Now it’s finally being released through her Paramore bandmate’s label
“He got a kidney infection, so he’s in hospital… That’s a bit of a drag, because he was going to be the lead guitarist”: The iconic charity rock song that missed out on its star guitarist due to illness – and why it could have sounded very different