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Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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1965 Fender Jazz Bass with a maple cap fingerboard: the slab board was a very rare feature at the time

“Fender always presented these options in a very low-key way – it was added in very small print in the corner of one page”: Meet the vintage Jazz Bass that's a true Fender unicorn

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“AC/DC signed my Strat. I had everybody sign it: Neil Young, Jeff Beck… When Angus saw Beck’s signature he said, ‘Oh, the bouffant!’” Jim Suhler on being married by Billy Gibbons, the advice SRV gave him and why he didn’t pay Joe Bonamassa for a sick solo

“My dad called me a ‘rhythm bassist’, but all he taught me was a power chord and an AC/DC drum beat”: Wolfgang Van Halen on calling the shots in rock’s royal family

“A lot of guitar players switch to bass, but I feel like I was born a bass player – it’s in my bones”: Weezer’s Scott Shriner shares his bass tone secrets

“Dumble told me to bring it to him because he had a mod he could do. It’s the only Dumble Fuzz Face that I’m aware of”: Kenny Wayne Shepherd on unicorn stompboxes, the quest for feel and why budget guitars can make you a better player

“It dishonors that brand to say, ‘Now we’re King Crimson.’ But we do have the ability to say, ‘Look, this is legitimate – half of the band is onstage here”: Adrian Belew, Steve Vai and Tony Levin on how they made Beat – with Robert Fripp’s blessing

“I had to learn all the B-52s’ songs on a red-eye to New York. The tuning was hard to figure out – especially on a plane without a guitar in my hands!” Session pro Greg Suran explains what it takes to play on American Idol – and trade licks with Joe Walsh

6 AI-powered guitar tools to supercharge your guitar-playing

“You’ve got three guitars, and nothing to prove”: Stephen Malkmus, Emmett Kelly, and Matt Sweeney discuss the country tracking tricks, experimentation, and East German fuzz pedal clones that power The Hard Quartet's self-titled debut album

“I wouldn’t normally be caught dead with a Tele because I think they’re ugly, but that’s the only guitar I used”: Opeth’s Mikael Åkerfeldt and Fredrik Åkesson on their love of “stupid riffs,” and “recapturing that old death metal magic”

“It would've been almost two hours to get home in traffic. I said to myself, ‘You’re here. Just write a song.’ Within 30 minutes, Pumped Up Kicks revealed itself to me”: How a ’59 Jazzmaster and capture-the-moment attitude keep Foster the People in gear

“I don’t practice, because I don’t think that practicing in itself is necessary”: Yes icon Steve Howe on why he rarely runs scales, thrashing acoustics – and why you won’t catch him playing unfamiliar guitars