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Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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Gibson ES Supreme

“All three of these guitars have their own sonic character – all of them great”: Gibson’s ES Supreme might be the ultimate modern semi-hollow, but it still feels alive

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“A lot of guitar players switch to bass, but I feel like I was born a bass player – it’s in my bones”: Weezer’s Scott Shriner shares his bass tone secrets

“Dumble told me to bring it to him because he had a mod he could do. It’s the only Dumble Fuzz Face that I’m aware of”: Kenny Wayne Shepherd on unicorn stompboxes, the quest for feel and why budget guitars can make you a better player

“It dishonors that brand to say, ‘Now we’re King Crimson.’ But we do have the ability to say, ‘Look, this is legitimate – half of the band is onstage here”: Adrian Belew, Steve Vai and Tony Levin on how they made Beat – with Robert Fripp’s blessing

“I had to learn all the B-52s’ songs on a red-eye to New York. The tuning was hard to figure out – especially on a plane without a guitar in my hands!” Session pro Greg Suran explains what it takes to play on American Idol – and trade licks with Joe Walsh

6 AI-powered guitar tools to supercharge your guitar-playing

“You’ve got three guitars, and nothing to prove”: Stephen Malkmus, Emmett Kelly, and Matt Sweeney discuss the country tracking tricks, experimentation, and East German fuzz pedal clones that power The Hard Quartet's self-titled debut album

“I wouldn’t normally be caught dead with a Tele because I think they’re ugly, but that’s the only guitar I used”: Opeth’s Mikael Åkerfeldt and Fredrik Åkesson on their love of “stupid riffs,” and “recapturing that old death metal magic”

“It would've been almost two hours to get home in traffic. I said to myself, ‘You’re here. Just write a song.’ Within 30 minutes, Pumped Up Kicks revealed itself to me”: How a ’59 Jazzmaster and capture-the-moment attitude keep Foster the People in gear

“I don’t practice, because I don’t think that practicing in itself is necessary”: Yes icon Steve Howe on why he rarely runs scales, thrashing acoustics – and why you won’t catch him playing unfamiliar guitars

If tone is really in guitarists’ hands – then we need to pay more attention to our picks

“Billy Corgan literally said he wanted the ‘Sabbath note.’ He wanted that midrange that Tony Iommi has that really cuts through”: Reverend Guitars’ founders on their wild signature collabs with Smashing Pumpkins, Vernon Reid and Reeves Gabrels