“I did everything by working my ass off. I played in bars six nights a week, 300 shows a year, three one-hour sets every night for eight years with no record deal”: Evanescence’s Troy McLawhorn on his guitar firsts, favorites and embarrassing moments
The Evanescence guitarist talks killer trench coats, first gigs, and the amp that got away
(Image credit: Frank Hoensch/Redferns)
In this Inquirer column, we reach out to Troy McLawhorn of Evanescence to answer the essential questions in any guitar player’s life. We’re talking first songs learned, first guitars played, and what would McLawhorn do if he had a time machine?
Well, maybe we know the answer to that – he’d take that damned trench coat back to the store…
What was your first guitar?
“My mom and dad had guitars in the house, and though they didn’t play them that much, those were the first guitars I grew up playing on. The one I really started to learn how to play on was my mom's nylon-string classical guitar.
“I played that for years before they bought me my first guitar, which I picked out in a music store down the street from my house. It had a black Gibson Explorer-style body with a maple neck and was made by a company called Lotus.”
What was the first song you learned to play?
“House of the Rising Sun by the Animals. I figured out the chords and then gave a little concert to my mom and dad. I was around 12.”
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Do you remember your first gig?
“My first gigs were playing at parties. In my hometown, older kids would have what they called keg parties, where they’d buy a couple of kegs of beer and have a band play. So my first gigs were in people’s backyards, playing at parties for older people who were getting drunk. One of the earliest bands I can remember being in at the time was Hellrazor. By default, our only payment was beer.”
One piece of gear that I regret letting go of was a Mesa Boogie Mark IV. It was a combo that had a beautiful tweed front
Ever had an embarrassing moment on stage?
“I can't think of anything in particular that occurred in Evanescence, but I do remember one embarrassing moment back in the early ’90s when I was in Still Rain. Whenever I performed, I’d wear snakeskin boots and a leather trench coat that went all the way down to the ground.
“One night, I was playing a solo at the front of the stage and totally rocking out. When I was done, I took a step back, but because my trench coat was so long, I stepped on it and couldn’t stand up straight.
“Each time I tried stepping back, the trench coat got shorter and shorter, until I fell down on stage on my back into the drum kit. I rolled around for a second so I could get my shit together, and I finally got up.”
What’s your favorite piece of gear?
“One piece of gear that I regret letting go of was a Mesa Boogie Mark IV. It was a combo that had a beautiful tweed front. As for my favorite, it’s my 1985 Gibson Les Paul Custom that was given to me for my birthday by a good friend.
“It was used when I got it, but it’s a beautiful guitar that’s got this amazing piece of leather artwork on the front. I’ve never seen anything like it and it just sounds and plays great.”
Suppose the building is burning down; what one guitar from your collection would you save?
“My wife gave me a really great American Telecaster for Christmas a few years back. It’s one of my favorite guitars to play when I’m at home, and it means a lot to me because my wife gave it to me.”
When was the last time you practiced and what did you play?
“It would’ve been last night before the show. I warm up before every show, playing guitar for 20 or 30 minutes. I will usually go through some exercises, and maybe a couple of things in the show that I may have fucked up the night before.
“I don’t really have a routine, as I don’t actually sit down and practice all that much when on tour, as I concentrate on maintaining and getting ready for the show I’m about to play. But when I’m home, I practice a lot and like to learn new things.”
What aspect of the guitar would you like to improve?
“I’d love to have more of a knowledge of music theory. Growing up, I learned everything by ear. I just listened to records and tried to figure out what I could. I think it would be great to have more of an educated knowledge of theory and scales and all that stuff.”
I did everything I could by working my ass off. I played in bars five and six nights a week, playing 300 shows a year, playing three one-hour sets every night for about eight years with no record deal
What advice would you give to your younger self?
“I’d say invent a time machine so it can take you to now, where you could watch YouTube videos! I think it’s amazing that kids have YouTube now, because it would’ve been a whole different thing for me if I had all the knowledge that’s on YouTube.
“I did everything I could by working my ass off. I played in bars five and six nights a week, playing 300 shows a year, playing three one-hour sets every night for about eight years with no record deal. The experience was amazing. I don’t know what more I could have done outside of what we did in that time.”
Joe Matera is an Australian guitarist and music journalist who has spent the past two decades interviewing a who's who of the rock and metal world and written for Guitar World, Total Guitar, Rolling Stone, Goldmine, Sound On Sound, Classic Rock, Metal Hammer and many others. He is also a recording and performing musician and solo artist who has toured Europe on a regular basis and released several well-received albums including instrumental guitar rock outings through various European labels. Roxy Music's Phil Manzanera has called him, "... a great guitarist who knows what an electric guitar should sound like and plays a fluid pleasing style of rock." He's the author of Backstage Pass: The Grit and the Glamour.
