How Guns N’ Roses’ Duff McKagan recorded a bass classic with Sweet Child O’ Mine
McKagan reveals how a trip to Guitar Center and the search for a sound to complement Izzy and Slash helped him find his Appetite for Destruction bass tone
Michael ‘Duff’ McKagan, the punk rocker from Seattle who moved to Hollywood in the mid-’80s, joined Guns N’ Roses and became a star, is best known in bass guitar world for a slinky four-bar solo executed in the upper register over the intro to their best-known song, Sweet Child O’ Mine. But how did he come up with it?
“It just happened,” he told us a while back, adding: “Really, it’s all a product of what you listen to and what influenced you, and then what you hear and what you think is right for the part – and it’s either gonna happen for you or it’s not. I’ve never tried to force any sort of bassline; it’s either gonna come to me or it’s not.”
He added, “The first Fender I bought was in 1986: I got it at Guitar Center when GN’R got our record advance. I had some money to get some gear, and that was the bass I chose to get, and it really was that bass that was the core of my sound – the Appetite For Destruction sound. I played that bass on every record that I’ve played bass on. I’ve used that exact same setup.”
Duff’s scooped tone had a crisp top end that stood out among the layers of screaming guitars, as readers of a certain age will remember.
“Nobody advised me about my tone – I really didn’t know who to ask back then,” he explained. “I knew what I didn’t want to sound like – I didn’t want to have a big fuzz-tone bass where you couldn’t hear the notes. Izzy [Stradlin, guitar] had this real thin, sparse sound, and Slash had a big, Marshall-plus-Les Paul sound, and somewhere in there was a spot for me.
“We all had to have our spot to make that band work, and I kinda knew where I wanted to go – and I really landed on it with that bass and the Rotosound strings and a Gallien-Krueger rig. It’s real simple what I use.”
He doesn’t hear his lines like the rest of us, he reveals: “I’ll hear those basslines, like the beginning of Sweet Child O’ Mine or the beginning of Fall To Pieces [by his later band Velvet Revolver], as a cello line for some reason.
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“I don’t know why that is – I don’t play cello or anything. It would be a neat thing to learn it, but I’m busy right now learning how to play bass!”
Joel McIver was the Editor of Bass Player magazine from 2018 to 2022, having spent six years before that editing Bass Guitar magazine. A journalist with 25 years' experience in the music field, he's also the author of 35 books, a couple of bestsellers among them. He regularly appears on podcasts, radio and TV.
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