Download and stream the audio from Guitar Techniques 363

Page 4 of 7:

Page 4

Jump To:

THE CROSSROADS
CLASSICAL GUITAR
BLUES DUES (BIMM)

THE CROSSROADS

ULTIMATE BLUES RHYTHMS BY JOHN WHEATCROFT

1
2
3
4
5
6
7

Current page: Guitar Techniques Issue 363

Prev Page Guitar Techniques Issue 363 Next Page Guitar Techniques Issue 363

Latest

Al Di Meola

“There are a lot of electric players that just cannot play a nylon-string guitar”: Al Di Meola on why he opts to practice on an acoustic guitar – even when preparing for electric-heavy tours

See more latest ►

“John Mayall’s ability to nurture blues guitar prodigies is comparable to Yoda’s knack for training hot Jedi prospects”: From Eric Clapton to Peter Green, Mick Taylor and more – a guide to blues legend John Mayall’s ’60s Bluesbreakers guitarists

“My Reverend feels sturdy. I don’t like when it feels like the guitar I’m playing is gonna break. Vintage guitars scare me!” Meet Hello Mary’s Helena Straight, the ’90s-inspired, time signature-twisting player whose guitar caught the Cure’s attention

“I was in the studio, and the phone rang. It was Lou Reed. I’d never met him. He called me, saying, ‘I saw a picture of you with this guitar…’” Joe Perry on Aerosmith’s roaring ’70s, writing Dream On – and being a B.C. Rich early adopter

“The Black Crowes got thrown off the ZZ Top tour. We picked up where they left off… Every night the tour manager warned us when the explosions were going to go off”: Michelle Malone gave up sax for guitar – and had John Mayer “begging” to join her shows

“I don’t normally enjoy co-writes, but when Billy Corgan says he wants to work on your stuff, you say yes”: Rosie Bones on her guitar chemistry with Carmen Vandenberg, Corgan collabs – and why Bones UK doesn’t need a bassist

“I went backstage and said to Rory, ‘There’s a guy out there called Slash who’s come to see you…’ Rory’s eyes lit up”: The night Rory Gallagher gave the Guns N’ Roses guitarist a taste of affordable Gibson via his 1960 Melody Maker

“I would call our approach organized chaos, but it drove Allan Holdsworth up the wall”: John Wetton has been the bass force behind a peak-period King Crimson lineup and two prog rock supergroups

“He taught me how to play songs by Dream Theater, Iron Maiden and King Diamond… though I remember giving up on some of the John Petrucci solos!” Tor Oddmund Suhrke on guitar lessons with Ihsahn and casting musical illusions with Leprous

“Joe and I had been hanging out, secretively making music, knowing that one day we'd do something. Four sessions later, we had an album”: How Glenn Hughes brought his low-end expertise into the spotlight with Joe Bonamassa and Black Country Communion

“One thing I won’t waver from is a chorus effect on my clean tone. I love the underlying sadness it gives, even if you’re playing something happy”: Los Bitchos guitarist Serra Petale on repurposing ’80s sounds and the tone so good she wanted to eat it

“I walked through the ‘Nothing To Declare’ lane, though it was in an embarrassment of a guitar case at that point”: The remarkable story behind Rory Gallagher’s 1968 Coral 3S19 Electric Sitar