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RIFFS! BY SIMON BARNARD

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Current page: Guitar Techniques Issue 362

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A montage of Duane Allman, Jimmy Page, Brian May and Tony Iommi playing guitar

“The Allman Brothers were unbelievable. When Duane came to the studio to play on Layla, I was so taken with him that I started ignoring my own band”: How the 1970s became the greatest decade for rock guitar

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“Joe and I had been hanging out, secretively making music, knowing that one day we'd do something. Four sessions later, we had an album”: How Glenn Hughes brought his low-end expertise into the spotlight with Joe Bonamassa and Black Country Communion

“One thing I won’t waver from is a chorus effect on my clean tone. I love the underlying sadness it gives, even if you’re playing something happy”: Los Bitchos guitarist Serra Petale on repurposing ’80s sounds and the tone so good she wanted to eat it

“I walked through the ‘Nothing To Declare’ lane, though it was in an embarrassment of a guitar case at that point”: The remarkable story behind Rory Gallagher’s 1968 Coral 3S19 Electric Sitar

“Most musicians can relate to being at the grocery store, humming riffs into their phone and looking like a weirdo in aisle six”: With Thick Riff Thursdays, producer Nick Broomhall is teaching guitarists how to nail the sound in their heads

“I think of the guitar as a punctuation to the vocal. It's about, ‘How can I be an exclamation point?’” Cage The Elephant guitarist Nick Bokrath explains his unique guitar grammar – and the innocence of pedal steel

Neural DSP Quad Cortex vs Nano Cortex: Which should you choose?

“The Rolling Stones gig is the culmination of my childhood dreams – I figure now that I've played with Miles, Sting, Herbie Hancock, Peter Gabriel, and Madonna, I've pretty much covered it”: Darryl Jones looks back at the path that led him to the very top

“We went to Billy Corgan’s place in Chicago. He said, ‘When you think you’ve got a chorus, just write another one’”: Bones UK’s Carmen Vandenberg on going hard to make Soft – and the Jeff Beck pedal that won’t leave her ’board

“I can’t stop being bewildered by all these people who say, ‘That guy sucks!’ I’ve got news for you – you don’t get to where you’re at if you suck! Okay?” Kirk Hammett on why bad solos are dying – and dealing with armchair guitar critics

“It creates the illusion of speed and intricacy”: Inside the evolution of selective picking – one of modern guitar’s most expressive techniques

“I’m almost getting scared about my love affair with this guitar – I’m worried what I would do if something happened to it”: Trey Anastasio on the creation of his “perfect” custom Languedoc guitars – and the genius who made them (who only sees mistakes)