Music Industry Magazines Download and stream the audio from Guitar Techniques 351 Features By Guitar Techniques published 25 July 2023 All of the videos, backing tracks and audio from issue 351 of Guitar Techniques, to download and stream Page 6 of 7: Page 6 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Jump To: IMPROVE YOUR... FUNDAMENTAL CHANGES IMPROVE YOUR...IMPROVE YOUR TAPPING WITH SIMON BARNARD! (RGT)Examples and backing: Mini piece & backing: FUNDAMENTAL CHANGESWALKING BASS WITH MARTIN TAYLORExample 1: Example 2: Example 3:Example 4:Example 5: Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsorsExample 6:Example 7:Example 8:Example 9:Example 10: Example 11: Example 12: Example 13: 1 2 3 4 5 6 7 Current page: Guitar Techniques Issue 351 Prev Page Guitar Techniques Issue 351 Next Page Guitar Techniques Issue 351 Guitar TechniquesSocial Links Navigation More about magazines“Probably the broadest, most accessible guitar mag in the world... It has been an absolute privilege”: Total Guitar to close after 30 years in print“What a ride…” Guitar Techniques magazine is closing after 30 years of in-depth tuition from some of the world’s greatest guitaristsLatest“Frank asked me to transcribe St Alfonzo’s Pancake Breakfast after I told him I’d learned Inca Roads by ear. Maybe it was a challenge to see if I was bluffing!” When bassist Arthur Barrow survived an audition for guitar genius Frank ZappaSee more latest ► Most Popular“I started writing two-and-a-half years ago. So it’s not a reflection of Kiko leaving Megadeth, but of Kiko thinking about leaving Megadeth”: Kiko Loureiro on making his first new solo material since quitting one of metal’s biggest bandsBest acoustic guitar picks 2024: our choice of picks for acoustic playing from Dunlop, D'Addario, and more“I planned to go out with Ministry. But then Madonna said, ‘I want Monte here – even if he’s just standing and holding a guitar’”: Monte Pittman on his crazy journey from Guitar Center to Ministry via Prong and Madonna – and his band with Adam Lambert“Mick Fleetwood asked me to join the band, but I don’t think Stevie voted against me… I don’t play like Lindsey, but I was able to do the songs justice”: Mike Campbell on the challenge of joining Fleetwood Mac and what he learned from Tom Petty“Some people think its gloss black top was a response to Gibson’s Les Paul Custom – but that didn’t launch officially until ’54”: The Duo Jet took Gretsch’s ’50s innovation to new heights – and was loved by George Harrison, Jeff Beck and Malcolm Young“I spent 10 hours a day for a month making that guitar… If it didn’t work out, it could have been a white Strat in Purple Rain”: Prince’s Cloud guitar builder Dave Rusan on how he made the iconic instrument – and the legal battles over his replicas“The Robert Cray gigs had me shaking so badly that I thought I’d faint… It was one of the pools I had to dive into or drown”: A non-shredder among metal guitarists, Katie Knipp took years to go electric – then scored a hit blues album“The tone EC achieved on that record has become one of the classic archetypes for how an electric guitar should sound”: How Eric Clapton got his tone on John Mayall and the Bluesbreakers’ ‘Beano’ album“I started playing $150 Ibanez guitars because onstage I would take damage… Clown used to use metal bars. We were very unsafe”: Mick Thomson reflects on 25 years of Slipknot’s incendiary debut – and what it was like to see his solos erased“A lot of players don’t bother to learn how to fix their guitars – but it’s a necessary part of technique”: Cradle of Filth’s Donny Burbage hated guitar until he got bored of playing video games – and became a tech’ing shredder“It was the best Fender-style neck I’d seen outside of the Custom Shop. This was the neck I’d been trying to get made all these years”: How Chapman Guitars reinvented itself with a new factory, fresh ideas and the help of industry guru Trevor Wilkinson MORE FROM GUITAR TECHNIQUES1“The Dumble amplifier is so transparent that, if you’re not a very refined player, it’s going to expose all of your flaws in your playing”: Kenny Wayne Shepherd on why playing through a Dumble doesn't guarantee a great sound2“The idea of the ‘rhythm’ side and the ‘lead’ side as distinctly separate entities has become somewhat blurred”: Mateus Asato is a modern master of combined rhythm and lead playing – he shares his poetic soloing secrets3“We knock on the door and he says, ‘Oh, you're the kid I heard about. Come in.’ The best part was he said, ‘Do you want to play tonight?’” How a 9-year-old Julian Lage ended up playing with Carlos Santana in front of 20,000 people4“Over time, her arrangements became more creative and composed and could stand on their own as melodic instrumentals”: A pioneering protest singer, American folk legend Joan Baez draws on jazz and flamenco for her intricate picking patterns5“I ended up playing things I never have before”: John Mayer busts out his Charvel and an ultra-rare ESP as he breaks new ground during A-list R&B guest solo
