Music Industry Magazines Download and stream the audio from Guitar Techniques 347 Features By Guitar Techniques published 31 March 2023 All of the videos, backing tracks and audio from issue 347 of Guitar Techniques, to download and stream Page 4 of 7: Page 4 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Jump To: CLASSICAL 30-MINUTE LICKBAG CLASSICALJOSÉ FERRER - EXERCISE NO.7, ARRANGED AND PERFORMED BY DECLAN ZAPALAVideo, transcriptions and exercises: 30-MINUTE LICKBAG30-MINUTE LICKBAGExample 1 - Ricky Gardiner style:Example 2 - Billy Squire style: Example 3 - Catfish Collins style: Example 4 - John Jorgenson style: Example 5 - Audley Freed style:Example 6 - Jason Kui style:Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors 1 2 3 4 5 6 7 Current page: Guitar Techniques Issue 347 Prev Page Guitar Techniques Issue 347 Next Page Guitar Techniques Issue 347 Guitar TechniquesSocial Links Navigation More about magazines“Probably the broadest, most accessible guitar mag in the world... It has been an absolute privilege”: Total Guitar to close after 30 years in print“What a ride…” Guitar Techniques magazine is closing after 30 years of in-depth tuition from some of the world’s greatest guitaristsLatest“I've not got a huge history with Gibson, but this one I bought to have a different tone”: From a forensic Black Strat replica to a Gibson that caught his ear and a ‘90s Zoom unit, here's everything David Gilmour used on his new solo album, Luck & StrangeSee more latest ► Most Popular“It was fun checking out Steve Howe’s gear. He really made the case to me for the guitar stand. You know… the one where your guitar is actually standing!” Hannah Wicklund on opening for Yes and Deep Purple – and her undying love of Anderson GuitarsGet the most out of Spotify with DistroKid“I’ve never played a barre chord in my life. I hate them. You don’t need more than two or three notes to express a chord”: Andy Summers on his “abstracted instrumental” collabs with Robert Fripp, his dream pedalboard, and what he learned from Béla Bartók“Nobody ever came to a gig to watch me play guitar. They came to hear me sing. We didn’t have a rhythm guitar player, so I had to cover everything”: Justin Hayward on the life, times and tones of the Moody Blues, and the undisputed power of a dimed AC30“The good news is there’s not much between you and Joni Mitchell – besides thousands of hours of practice, a little music industry luck, and, of course, these first few furtive steps…”: Where to start with learning acoustic guitar“I'm continuing in directions I established in the Grateful Dead, but I was never satisfied with my studio work – this band has surpassed my wildest dreams”: When bass icon Phil Lesh went in search of a new sound“I started writing two-and-a-half years ago. So it’s not a reflection of Kiko leaving Megadeth, but of Kiko thinking about leaving Megadeth”: Kiko Loureiro on making his first new solo material since quitting one of metal’s biggest bandsBest acoustic guitar picks 2024: our choice of picks for acoustic playing from Dunlop, D'Addario, and more“I planned to go out with Ministry. But then Madonna said, ‘I want Monte here – even if he’s just standing and holding a guitar’”: Monte Pittman on his crazy journey from Guitar Center to Ministry via Prong and Madonna – and his band with Adam Lambert“Mick Fleetwood asked me to join the band, but I don’t think Stevie voted against me… I don’t play like Lindsey, but I was able to do the songs justice”: Mike Campbell on the challenge of joining Fleetwood Mac and what he learned from Tom Petty“Some people think its gloss black top was a response to Gibson’s Les Paul Custom – but that didn’t launch officially until ’54”: The Duo Jet took Gretsch’s ’50s innovation to new heights – and was loved by George Harrison, Jeff Beck and Malcolm Young MORE FROM GUITAR TECHNIQUES1“When I worked with Tony Iommi, I had an epiphany... he sounded like him no matter what amp you’ve got him on”: Billy Corgan on how watching Iommi taught him the key to the playing style of Eddie Van Halen2“The Dumble amplifier is so transparent that, if you’re not a very refined player, it’s going to expose all of your flaws in your playing”: Kenny Wayne Shepherd on why playing through a Dumble doesn't guarantee a great sound3“The idea of the ‘rhythm’ side and the ‘lead’ side as distinctly separate entities has become somewhat blurred”: Mateus Asato is a modern master of combined rhythm and lead playing – he shares his poetic soloing secrets4“We knock on the door and he says, ‘Oh, you're the kid I heard about. Come in.’ The best part was he said, ‘Do you want to play tonight?’” How a 9-year-old Julian Lage ended up playing with Carlos Santana in front of 20,000 people5“Over time, her arrangements became more creative and composed and could stand on their own as melodic instrumentals”: A pioneering protest singer, American folk legend Joan Baez draws on jazz and flamenco for her intricate picking patterns
