Music Industry Magazines Download and stream the audio from Guitar Techniques 345 Features By Guitar Techniques published 1 February 2023 All of the videos, backing tracks and audio from issue 345 of Guitar Techniques, to download and stream Page 4 of 7: Page 4 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Jump To: THE CROSSROADS - JAZZ TO BLUES CLASSICAL 30-MINUTE LICKBAG THE CROSSROADS - JAZZ TO BLUESJIMI HENDRIX STYLE!Example 1 and backing:Example 2 and backing:Example 3 and backing:Example 4 and backing:CLASSICALEL COLIBRI (JULIO SAGRERAS), ARRANGED AND PERFORMED BY DECLAN ZAPALAVideo, transcriptions and exercises: 30-MINUTE LICKBAG30-MINUTE LICKBAGExample 1 - Richard Kruspe style:Example 2 - Wilko Johnson style: Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsorsExample 3 - Julian Lage style: Example 4 - Kirk Fletcher style: Example 5 - Mick Goodrick style:Example 6 - Brandon Ellis style: 1 2 3 4 5 6 7 Current page: Guitar Techniques Issue 345 Prev Page Guitar Techniques Issue 345 Next Page Guitar Techniques Issue 345 Guitar TechniquesSocial Links Navigation More about magazines“Probably the broadest, most accessible guitar mag in the world... It has been an absolute privilege”: Total Guitar to close after 30 years in print“What a ride…” Guitar Techniques magazine is closing after 30 years of in-depth tuition from some of the world’s greatest guitaristsLatest“A futuristic instrument that soundly improves the potential instability of wood-constructed acoustics”: Klōs Carbon Timber Grand Cutaway Mini reviewSee more latest ► Most Popular“We were opening for ZZ Top at Madison Square Garden. I told the guys, ‘I’ll go out there and blow for 60 seconds, then we’ll go into the first tune.’ I hit the first chord and my Marshall blew up”: Richie Sambora on Bon Jovi's nightmare arena debut“My first real gig with The Band was in front of 25,000 people and we had no real rehearsal… We just flew out to Dallas and opened for Crosby, Stills & Nash”: Jim Weider on replacing Robbie Robertson – and the ’52 Tele he got while working at a car wash“$499 is incredibly high value for a guitar you can go and buy, and go and gig it. And that’s what I want: it’s not a toy”: PRS’ Jack Higginbotham reflects on the history of the SE line“Tom Morello ended up flying to Seattle and doing the vocals with Layne Staley. Tom came back and was like, ‘He’s in really bad shape. It’s scary’”: Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle“I was a Brian May obsessive. I had the Star Licks video and had learned it all by the time I was 14”: Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning “My friend talked to Joe Walsh and gave him my number. Awhile later, I got a message: ‘Adam Jones, this is the Talk Box fairy. Give me a call’”: Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp“Verböten played right across the street from Wrigley Field. Dave Grohl came with his sister when he was 13 and saw us play”: Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to the untapped guitar playing of David Gilmour’s solo albums“My custom-made classical guitar with the synth module was stolen while we were on tour. I got it back thanks to some people who worked with Joe Bonamassa”: Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less“Was that open-string a mistake or pure brilliance? Who cares? It’s a masterpiece”: Did bass maestro Willie Weeks miss a note on this Donny Hathaway classic?“Jimi Hendrix was my superhero, and so I threw a bit of his style into the bassline”: How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine MORE FROM GUITARWORLD...1“A futuristic instrument that soundly improves the potential instability of wood-constructed acoustics”: Klōs Carbon Timber Grand Cutaway Mini review2“If he were just a pop guitar player, he would be a legend – this cat is arguably one of the greatest players to ever exist”: Cory Wong and Andy Timmons on the brilliance of George Benson, and his essential contributions to the guitar vocabulary3“I was just learning to play – I started strumming the chords and ran upstairs and said, ‘Guys, I think I just wrote a song!’”: Gwen Stefani on the only No Doubt song she's ever written on guitar4“Jaco was Joni’s liberator, but she wanted the bass to play a greater part in holding down the groove”: Larry Klein on how he handled the challenge of replacing Jaco Pastorius in Joni Mitchell’s band5A working knowledge of adventurous chord alternatives is a crucial yet underrated skill. Here are 5 ideas for how you can revoice guitar chords, and enhance your progressions
