Download and stream the audio from Guitar Techniques 344

Features
By ( Guitar Techniques ) published

All of the videos, backing tracks and audio from issue 344 of Guitar Techniques, to download and stream

Jump To:

BLUES COLUMN

BLUES - DAN PATLANSKY STYLE

Example 1 and backing:

Example 2 and backing:

ROCK COLUMN

ROCK - AC/DC STYLE

Example & Backing:

Solo: 

ROCKSCHOOL SHRED

SHRED - ZAKK WYLDE STYLE

Example 1: 

Example 2:

Example 3:

Example 4:

Example 5:

Guitar Techniques
More about magazines
april 2025

George Harrison's amazing career as a guitarist, during and after the Beatles – only in the new Guitar World
february 2025

The ultimate Dimebag Darrell tribute – and the Ultimate Gear Guide! – only in the new Guitar World
Charvel Super-Stock So-Cal Style 1 HSH FR RW

“Scrapes and dings that let you know this axe has been around the block a few times”: Charvel gives its hot-rodded So Cal Superstrat the heavy relic treatment – and it won’t just appeal to shredders
See more latest
Most Popular
Gary Lucas plays a Fender Stratocaster
“I’m sitting on the couch with a guitar, and Jeff is standing over me. He pulled out a notebook with lyrics and doodles, started singing, and that was Grace”: How Gary Lucas made guitar magic with Jeff Buckley, Captain Beefheart and Chris Cornell
Posed full length studio portrait of Eddie Van Halen with a Peavey guitar
“It must have been a big shock when little Peavey in Mississippi got the biggest guitar hero out there. But Ed just appreciated the quality of craftsmanship”: The story of Peavey and its era-defining Van Halen collaborations – and why they came to an end
Paul Banks of Interpol adjusts the tuning on his Les Paul Custom, and wears a dark pair of sunglasses.
“I don’t think I have the agility on the neck to do a traditional guitar solo – I’m more from the Kurt Cobain school”: Interpol frontman Paul Banks on making landmark records, his favorite John Frusciante solo and why he’s no fan of the Fender Twin
Imperial Triumphant
“People think I’m not a good guitar player because it sounds really sloppy. I play in an avant-garde death metal band – you shouldn’t be comfortable”: How Imperial Triumphant became one of the most garishly experimental metal bands of a generation
General views of the Hollywood Rock Walk at the Guitar Center on the Sunset Strip after the announcement of rock legend Eddie Van Halen's death on October 06, 2020 in Hollywood, California
“I used to visit my local GC frequently. That all stopped when they started locking everything up”: How can Guitar Center improve its stores and reclaim its former glory? Guitar World readers have their say
Steve Stevens plays guitar as part of Billy Idol's band during the 'Rebel Yell' tour at the Poplar Creek Music Theater, Hoffman Estates, Illinois, June 1, 1984.
“When I met Billy, I didn’t really have an amazing guitar. He said, ‘Oh, you gotta have a Les Paul, mate’”: Steve Stevens on why the ’80s were Hamer time for the Billy Idol guitarist – and it was all thanks to Paul Stanley
Jimmy Page performs onstage with Led Zeppelin at Earl's Court in London in 1975
“Jimmy was still playing the Telecasters that he played in the Yardbirds. I laid it on him and said, ‘Try this out.’ I gave him a good deal, about 1,200 bucks”: How one of rock's most storied Les Pauls changed hands from one guitar hero to another
Robert Sledge of Ben Folds Five performs at SummerStage at Rumsey Playfield, Central Park on September 14, 2012 in New York City.
“The guys were like, ‘Just go for something crazy, and then make it crazier.’ They just couldn’t stop me, man!” The wildest bass solo you’ve never heard? Robert Sledge cranked the fuzz for this Ben Folds Five classic
Courtney Barnett plays a Fender Kurt Cobain Jaguar in studio
“I’ve used Teles and Strats, but I always find myself going back to that Jag – something about the Cobain Jag just sounded extra-beefy”: Courtney Barnett is one of indie-rock’s most celebrated southpaws – and the Nirvana Fender connection runs deep
Rosanne Cash playing her Gibson acoustic guitar – her 'Cash' strap lies beside her on a table
“I can play barre chords and my dad couldn’t. He had a strum that was identifiably his, but I learned from the Carter women. Mine is more of a Carter scratch”: How Rosanne Cash found her sound – and captured Johnny’s design flair in her signature Gibson