Discover the History of the American Guitar, 1833 to the Present
First published in 2001 and now updated and expanded, Tony Bacon's History of the American Guitar (Backbeat Books) begins in New York City in the 1830s with the arrival of Christian Martin, from Germany, to set up the Martin company.
From that historic moment, the book takes readers on a fascinating and comprehensive visual tour of U.S. guitar history.
More than 75 brand names are represented, with more than 300 guitars photographed in stunning detail, including Bigsby, Danelectro, D'Angelico, D'Aquisto, Ditson, Dobro, Dyer, Epiphone, Fender, Gibson, Gretsch, James Trussart, Kay, Maccaferri, Martin, Micro-Frets, Mosrite, Oahu, Ovation, Regal, Rickenbacker, Stella, Stromberg, Suhr, Taylor, Vega, Washburn, Wilkanowski and many more.
The interrelated stories of the guitar, mandolin, and banjo are mixed seamlessly with the history of the diverse American music that grew and prospered with these instruments, from country to blues, from jazz to rock. The bulk of the instruments illustrated were part of the celebrated collection of Scott Chinery, photographed before Chinery's untimely death and the subsequent break-up of his unique collection.
The book presents every important episode in the story of the American luthier's art and is an unparalleled resource for every musician, collector, and music fan.
It's available now at the Guitar World Online Store for $27.99.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.
“I didn’t think anybody would believe I got it from George Harrison. I figured they’d call me a liar”: Vintage guitar guru Norman Harris names the 5 most memorable guitars that have come through Norman's Rare Guitars
“What blew me away was that everyone wanted the curly maple top. People were calling, saying, ‘I’ve got to have the bird inlays’”: Paul Reed Smith on raising the Standard 24, finally cracking the noise-free guitar and why John Sykes is a tone hero