Features archive
June 2022
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71 articles
- June 30
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- The rise, fall and rebirth of Fender’s Rosewood Telecaster – the solidbody made iconic by George Harrison
- Eric Gales on why he is not trying to be the next Jimi Hendrix – and why you shouldn’t be either
- Yngwie Malmsteen: "You can’t 'build' speed – you play it until you have it perfect. There are no shortcuts and no tricks"
- June 29
- June 28
- June 27
- June 25
- June 24
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- Trixie Mattel: “I’m a product, right? If they want a singing, guitar playing, joke-telling Barbie doll, they have to get me. Or they have to get Dolly Parton”
- Randy Rhoads’ greatest guitar solos
- Download and stream the audio from Guitar Techniques 337
- I Built the Sky’s Rohan Stevenson on breaking out of the shred-metal box for an acoustic guitar album that makes space for banjo, xylophone and more
- Foals: “We very clearly enjoyed living in our own sound on this record”
- June 23
- June 22
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- Bleed From Within’s Craig ‘Goonzi’ Gowans and Steven Jones talk sick riffs, fierce grooves, and how Neural DSP revolutionized their sound
- Sylvaine spirits us away to share the guitar secrets behind her dreamy, shoegaze-inspired atmospheric metal sound
- Spotlight: Xander Burgess of Johnny Hunter
- Paolo Gregoletto: “I’ve never needed a side project because Trivium play everything. We’re always trying to push ourselves”
- June 21
- June 20
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- Charlie Griffiths: “Everyone knows the blues scale – just move it up a semi-tone from your root note and you get a whole new lease on life”
- Drug Church’s Nick Cogan on his alt-rock conversion from Les Paul to Jazzmaster, and the three secrets to his sound
- Pattern-Seeking Animals’ Ted Leonard on how he struck guitar tone gold with a ‘Franken-Tele’ rescued from the junk pile
- Bartees Strange: “A lot of my songs tend to start off as country songs and become something else”
- June 17
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- Guthrie Govan on finding an orchestra as weird as The Aristocrats to rework their material – and how he convinced Hans Zimmer to buy a 9-string
- 20 milestone moments in Marshall’s 60-year quest for bigger, badder tone
- Foals' Jimmy Smith talks overcoming nerves to develop his "naïve" style – and why ditching pedals helped him embrace a positive guitar attitude
- Ben Lee: “I’ve always been interested in being a cheeky bastard and stirring the pot”
- June 16
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- 20 guitar virtuosos on their favorite Joe Satriani moments
- John Illsley reflects on Dire Straits' stadium-rocking success, the pressure it put on Mark Knopfler, and tells us what makes a great bass part
- Larry LaLonde and Les Claypool join Alex Lifeson to discuss A Farewell To Kings and recall that one time the Rush guitarist used a tortilla chip as a guitar pick
- June 15
- June 14
- June 13
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- Opeth’s Martín Méndez: “I use theory as a guide, but I trust my ears and ideas more… you have to understand why certain notes feel more beautiful or threatening”
- The story of the JTM45, Marshall’s first amp and a holy grail of rock guitar
- Alexisonfire: “It’s a blessing and a curse that we make records this way”
- June 10
- June 9
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- Eddie Van Halen interviews Les Paul about his friendship with Leo Fender, the SG, and his favorite Les Paul model of all time
- Billy Howerdel: “With A Perfect Circle, I was always concentrating on bigger guitars – on this album, I wanted the compositions to take center stage”
- Rush’s Geddy Lee on A Farewell To Kings, Les Claypool the bassist, and what he thinks of Primus playing the album live in its entirety
- Def Leppard share 8 tips on how to create a killer rock anthem
- June 8
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- John Frusciante’s 10 best Red Hot Chili Peppers guitar moments
- Jack White: “I’m the proudest I’ve been in my life of my guitar playing. There are places I’ve never gone before... techniques I thought I wasn’t capable of doing”
- Feeder’s Grant Nicholas shares his tips on on songwriting, gear and tone: “You can always find a new way of playing a chord”
- Spotlight: Keyan Houshmand
- June 7
- June 6
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- Fantastic Negrito on the near-fatal car crash that changed his approach to playing and the forces behind his powerful new album, White Jesus Black Problems
- Eva Gardner: “I was the kid singing to Veruca Salt in 1994. Fast forward to 2005 and I was their bass player”
- Kris Barras: “I love the Kemper live for two reasons: stability and consistency. You’re not relying on whoever’s mic’ing the amps up”
- June 5
- June 3
- June 2
- June 1
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- Body Count’s Ice-T and Ernie C look back on the making of – and reaction to – their incendiary 1992 debut album
- Les Claypool: “Singing Geddy Lee parts and playing bass, or just singing Geddy Lee parts period, is f**king hard, because it’s up in the upper stratosphere”
- Spotlight: Alex Manhire of The Beautiful Monument