Because great tone begins with getting the fundamentals right, from picks and strings through to pedals
(Image credit: Future)
GUITAR SHOWCASE 2023: Guitar tone isn’t just a problem you throw lots of money at and then it is sorted. Buying top-quality gear does help but there are things that players of all levels, with all rigs, can do to get the most out of their sound.
These 5 steps will help you think about tone and give you the fundamentals before going down the rabbit hole. And that’s the thing – tone is a journey without a destination, but you’ve got to start somewhere.
1. Experiment with different strings
(Image credit: Future)
The material your strings are made of fundamentally affects your guitar tone. Of course, electric guitars require metal strings in order for the magnetic pickups to work, however, string manufacturers offer a range of alloys, each with different tonal properties.
lain steel and nickel-wound steel are most common for unwound/wound electric guitar strings respectively. Rotosound’s Ultramags are a ‘highly magnetic’ string which they say gives more power and sustain. Ernie Ball’s Cobalt series ‘maximises output and clarity’. You can judge their claims for yourself, but our experience is that materials do matter!
2. Get plucky!
(Image credit: Future)
Not all guitar picks are equal, and yes, they certainly can affect your tone. Eric Johnson and John Petrucci have each made use of Dunlop Jazz IIIs, both tweaking the shape of the point and edges for a smoother glide across the strings. The Edge uses Herdim Blue picks, plucking the strings with the textured end for a brighter, er, edge to his sound.
Your main aim is to set your guitar amp so that it’s always at a suitable level and has the desired tone when your guitar and any effects are plugged in. Here are some basics:
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Begin with the master volume knob set between zero and two, so you can hear yourself without blowing your ears off.
Keep all tone controls at their midway points, not zero, so you can make tone cuts or boosts as required.
If using a multi-channel amp, check each channel is roughly the same volume – it’s not always obvious from the position of the knobs, so listen carefully!
A gain control will add distortion, but it’s dependent on the level of your guitar output, so make sure your instrument’s volume is maxed out while you get set up.
If you run your amp (especially a tube amp) loud, eg, at a gig, you will usually need less gain than you did in your living room. With your core tone set, practise with higher volumes.
4. Pedals: aim for unity
(Image credit: Future)
We’ll look at individual effects later on, but, as regards the very basics, just like your amp, you need to check the levels of your effect pedals. Play each pedal one by one, with all the others switched to bypass/off.
Unless you’re dialling in a volume boost (eg, for a bit of a kick during a solo), your best starting point is to be at ‘unity gain’ – which simply means the volume stays the same, with or without the pedal engaged.
When you know your amp and pedals are at unity gain, it’s easier to make changes to the levels where you really need them. Low output? Check your power supply. Failing batteries and mismatched ‘wall-wart’ power supplies can make your pedals act up.
5. Go premium with cables
(Image credit: Mogami Cable)
Budget guitar cables are usually a false economy. Though not always the case, cheap leads are generally more susceptible to picking up microphonic noise and are more likely to fail under the rigours of general use. A small upgrade in price to a premium cable (which often includes a substantial warranty) is worth the extra outlay.
Brands such as Mogami, D’Addario, Planet Waves, Ernie Ball, Fender and many more will see you right. You’ll need an ‘instrument’ T/S jack to jack cable in most cases. Opt for the shortest cables you can.
Tone-sapping capacitance increases with longer cable runs. Gold-plated plugs offer minimal sonic improvements but won’t corrode, ensuring the best signal flow.
Chris has been the Editor of Total Guitar magazine since 2020. Prior to that, he was at the helm of Total Guitar's world-class tab and tuition section for 12 years. He's a former guitar teacher with 35 years playing experience and he holds a degree in Philosophy & Popular Music. Chris has interviewed Brian May three times, Jimmy Page once, and Mark Knopfler zero times – something he desperately hopes to rectify as soon as possible.
