In my video example for this week, I play some bluesy/Indian runs on a fretless, glass-necked guitar I custom-modified for John Frusciante.
This interesting job, which I completed in September 2006, was arranged by Frusciante's guitar tech, Dave Lee.
I took a Warmouth vintage replacement neck, outfitted it with a glass fretless fingerboard and attached it to the 1959 Fender hardtail Strat body John provided.
The original neck was safely removed, and no modifications to the original guitar were made. I only had a chance to check it out for about 10 minutes before it shipped. I wish I would have had more time to play it!
I love playing blues on fretless guitars and also introducing elements of Indian raga, humbly trying to channel both Muddy Waters and Ravi Shankar, two of my all-time favorite musicians. Although I play electric blues in standard tuning, I approach bluesy string bending in a different manner, getting the tension going with linear movement of the note up and down the length of the string (Remember, on fretless guitar it's called a fingerboard, not a fretboard).
The resulting tone is similar to a conventional string bend, but the extra possibilities a fretless instrument creates are wide open. Sequences of intervals smaller than a minor second are possible, as are wide intervallic leaps of an octave and beyond.
Next week we go back to the beginning, a breakdown of my first album, An Introduction to Fretless Guitar, from 1999 -- and an introduction to fretless sustainer playing.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Visit Ned Evett at his official website, and read more about him on GuitarWorld.com.
Photo: Gregg Roth
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
“Everyone knows Take My Breath Away, the chart-topping ballad from Top Gun. But there’s a good chance you haven’t heard this seven-minute anthem”: David Gilmour's 10 greatest guitar guest appearances, from folk legend Roy Harper to Paul McCartney
“The crowd got ugly – they were just being assholes, throwing mud at us the whole set, hitting us hard on our bodies and on our guitars”: Donita Sparks tells the story of L7’s infamous set at 1992’s Reading Festival