Veteran bassist Nathan East on recording one of Eric Clapton's most personal – and well-loved – songs
East reflects on the deeply emotional behind-the-scenes moments of the Tears in Heaven recording sessions
By Janelle Borg published
East reflects on the deeply emotional behind-the-scenes moments of the Tears in Heaven recording sessions
By Michael Astley-Brown last updated
With the likes of Fender, Gibson and Marshall returning to Anaheim at long last, this year’s event is set to be the biggest in five years – with secrets and surprises to match
By Phil Weller published
From the EVH-rooted Axis and the Cutlass, to a collaborative Darkglass bass, the Ernie Ball-owned firm is serving up cut-price versions of fan favorites
By Phil Weller published
The one-two release is set to be rolled out in May, with its upgraded Strat-a-like and short-scale bass set to be showcased at NAMM 2025
By Phil Weller published
Skewed towards ’70s-style chorus effects, it comes with tap tempo functionality, space-saving housing, and an affordable price tag
By Phil Weller published
The Glideline collaborative instrument cable delivers high-resolution signals that “eliminate any compromise” from guitar tones
By Janelle Borg published
The mega-event will take place on January 30 at L.A.'s Intuit Dome and Kia Forum, and will be broadcast on multiple platforms
By Janelle Borg published
East reflects on the deeply emotional behind-the-scenes moments of the Tears in Heaven recording sessions
By Brian Fox published
The Rush frontman charts his experiments in bass tone, and why he'd sometimes tackle the instrument like a lead guitarist
By Chris Jisi published
The bass icon breaks down his formative influences, and how he gave everyone from Prince to Beethoven a low-end makeover via his '77 Fender Jazz
By Bill Leigh published
Recorded for Metallica’s genre-sparking Kill ’Em All, Burton’s complex snarl of notes has captivated bassists for years. Dial in your favorite fuzz-wah tone and let it rip
By Chris Jisi published
For The Thrill Is Gone, Jemmott played his 1964 Jazz Bass – which would be stolen soon afterward
By Bill Leigh published
Producer Bob Rock on making St. Anger, the legacy of Cliff Burton and why he used Loverboy’s bass guitar on every track
By Jonathan Herrera published
Every success story needs a behind-the-scenes hero, and for Green Day, it was bassist Mike Dirnt. He details the making of American Idiot and his forensic approach to bass tone
By Phil Weller published
Passive and active editions have been launched, but both come optimized with some clever, player-adjustable additions
By Phil Weller published
It’s joined by another new low-end launch from the acclaimed UK luthier, the Libertine
By Nick Wells published
With its classic looks and budget-friendly price tag, is the revived Grabber still as iconic?
By Daryl Robertson published
With great discounted options from the likes of Squier, Yamaha and Sterling by Music Man, now's the time to start your bass guitar journey
By Huw Price published
Could it be that this mid-'60s Jazz Bass is rare simply because people couldn't read Fender's small print? Well Strung Guitars owner David Davidson floats a theory and picks up the tale…
By Phil Weller published
Bartolini, Dark Glass, John East, Aguilar, and Nordstrand preamp modules are available, and each can be swapped out in less than 60 seconds
By Richard Blenkinsop last updated
Keep your low-end punchy and your bank balance healthy with our pick of the best budget bass amps from Fender, Orange, Ampeg and beyond!
By Nick Wells published
On paper, the Sterling Joe Dart model looks like a remarkable reproduction of Music Man’s pro-standard version. Could this be as good as it gets for a $399 bass?
By Matt Owen published
The double-cut four-string was a hit back in the 1970s, and finally makes a triumphant return in the form of a more affordable Inspired by Gibson Epiphone reissue
By Matt McCracken published
Part bass, part guitar, we get to grips with the Classic Vibe version of Fender’s very own dichotomy of tone
By Nick Wells published
With its classic looks and budget-friendly price tag, is the revived Grabber still as iconic?
By Nick Wells published
On paper, the Sterling Joe Dart model looks like a remarkable reproduction of Music Man’s pro-standard version. Could this be as good as it gets for a $399 bass?
By Nick Wells published
With drive tones verging on the mythical, is this the ultimate bass fuzz?
By Matt Owen published
The follow-up to the game-changing Quad Cortex is here at last, and with its ultra-powerful Nano Cortex, Neural DSP has set its sights on challenging IK Multimedia and Kemper to offer the ultimate all-in-one rig solution
By Nick Wells published
Vintage looks? Timeless P-Bass tones? We size up the latest incarnation of Fender’s flagship 4-string
By Nick Wells published
This newly developed, feature-packed bass head features an Amp Feel switch and ‘Cabinet Resonance’ calibration technology to get the best from your cab – but is it a game-changer for bassists?
By Joel McIver published
After playing a custom Dingwall live with Duran Duran, John Taylor has launched his production model, loaded with a new bridge design, a Rupert Neve Design preamp to die for and a monster tonal range