“I put everything on 10 as a base sound. It automatically ruled out full chords with that much distortion”: Meet Pom Poko’s Martin Tonne – the guitarist channeling a “crappy Danelectro”, West African phrasing and jazz chops into a hyperpop sugar rush
Leaning on a Danelectro and an obscure Norwegian amp, Tonne has indulged his fuzz addiction to come up with an approach based on buzzes, rattles, squeaks and moans
