
Richard Bienstock
Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.
Latest articles by Richard Bienstock

John Mayer names the pedal he thinks every young guitar player should consider buying
By Jenna Scaramanga published
Despite saying his tone “can only come from the ignition inside of a tube”, the Dead & Company guitarist thinks this amp modeler is worthwhile

After a decade playing together in Dead & Company, John Mayer and Bob Weir reveal the invaluable lessons they’ve learned from each other
By Janelle Borg published
The veteran guitarist and Slow Dancing In a Burning Room hitmaker also set the record straight on whether we can expect a Dead & Company studio album anytime soon

Why John Mayer decided against ditching his tube amps for modelers for Dead & Company’s Sphere residency
By Matt Owen published
Mayer devised a workaround that would allow him to play his prized Dumble and Fender setup at the notoriously amp-unfriendly venue
![Cobra Kai composers Zach Robinson [left] and Leo Birenberg in the studio. Pictured in front of a bank of keyboards, Robinson plays an Ibanez RG550, while Birenberg plays woodwind.](https://cdn.mos.cms.futurecdn.net/YfxDAzMdyf8Mrf9cURm53e.jpg)
How Cobra Kai’s soundtrack senseis brought Tim Henson, Tosin Abasi and Charlie Robbins to their musical dojo
By Richard Bienstock published
As the hit Netflix martial arts show takes the story global, its soundtrack composers are doing likewise. Leo Birenberg and Zach Robinson explain why it’s a good time to explore their influences – and bring some virtuoso guitarists along for the ride

Tetrarch’s Diamond Rowe on her signature Jackson, and why she loves guitar players with a presence
By Richard Bienstock published
A single-cut with a 25.5-inch scale length, EMG pickups rather than popular-in-metal Fishmans, and a brand-new headstock shape, Rowe's signature Jackson is as striking as her all-powerful playing

Myles Kennedy on Warren Haynes, why he's an accidental frontman, and the almighty power of the riff
By Richard Bienstock published
We’ve been saying it for years, but the man best known for his soaring vocals with Slash and Alter Bridge also happens to be one hell of a guitar player. On his new album, he busts out his riffs, his roar and his signature PRS
![[Left-to-right] Mark Tremonti, Myles Kennedy and Slash – Tremonti and Slash are playing their trademark singlecuts live onstage while Kennedy – a collaborator of both players' – is photographed with his new PRS signature model.](https://cdn.mos.cms.futurecdn.net/NWnPocmSNoWHAkJcmrx4dJ.jpg)
Myles Kennedy reveals what he learned as a guitar player from working with Slash and Mark Tremonti
By Richard Bienstock published
Any pro will tell you, the best way to improve as a musician is playing with great players. Kennedy, a collaborator of both Slash and Tremonti, would surely agree

James Hetfield explains the controversial mixing of Metallica’s …And Justice for All
By Jackson Maxwell published
The band's first album with Newsted, ...And Justice for All was marked by the band's increasingly progressive and technically intricate bent – and barely audible bass parts

The story of Metallica's meteoric rise – as told by the people who were there
By Richard Bienstock published
The story of Metallica's meteoric rise – as told by the people who were there, including Dave Mustaine, Scott Ian, Kerry King, Gary Holt, and, of course, Metallica themselves

Michael Schenker on celebrating UFO with Axl Rose, Slash, and Dee Snider, and why he's come full circle with Gibson
By Richard Bienstock published
My Years With UFO finds the effervescent Schenker revisiting seminal tracks in the company of rock legends, some Flying Vs, and his trusty Marshall JCM800 2205, an amp so good everyone steals it

Best beginner electric guitars 2025: kickstart your musical journey with these epic electric guitars for beginners
By Chris Corfield last updated
So you're a budding guitarist? Get started with our pick of the best beginner electric guitars from Squier, Yamaha, and Epiphone

Mick Thomson reflects on 25 years of Slipknot’s incendiary debut – and what it was like to see his solos erased
By Richard Bienstock published
If Slipknot's debut remains a true face-ripper all these years later maybe it is because they brought the chaos of the stage show into the studio. Thomson can remember it vividly, the gear, the danger, the risk to his guitars from stray iron pipes, and he wouldn't have it any other way

Slash on Yngwie, Eddie Van Halen – and what makes for good guitar playing
By Richard Bienstock published
According to Slash, it doesn’t matter what genre you play or your level of skill; just be sure to put your own stamp on every note you play

Christone “Kingfish” Ingram talks touring with Slash – and his hunger to learn guitar
By Richard Bienstock published
Kingfish discovered Slash via Guitar Hero and now will be sharing the stage with him at S.E.R.P.E.N.T. Festival. He talks about what it means to play an all-star blues fest and take the art form further

Samantha Fish on blues guitar heroes, Slash, and the need to “push boundaries” to keep the art alive
By Richard Bienstock published
Signed up for Slash's all-star S.E.R.P.E.N.T Festival, Fish is one of the players who has found her voice in taking blues out of its comfort zone. Here, she salutes her blues heroes – especially the rule-breakers

Slash explains why his new blues album has really been the journey of a lifetime
By Richard Bienstock published
Orgy of the Damned finds the Guns N' Roses guitarist and A-list guests tackling blues standards that shaped his sound. Here he talks blues gear, the ethos, and how blues can be a force for good

Slash explains why Eddie Van Halen was really a blues player at heart
By Matt Owen published
Van Halen's boundary-pushing rock guitar style was defined by unprecedented fretboard acrobatics – but underneath all that was a humble bluesman, according to the GNR guitarist

“People started saying I looked like Voldemort!” Joe Satriani and Steve Vai on their classic Guitar World covers
By Richard Bienstock published
The axelords discuss the guitars they’re holding in six key GW magazine covers from the past. Along the way, we learn about guitar thefts, loud photoshoots, hair, pants and flexi-discs...

Steve Vai and Joe Satriani on friendship, collaboration and using guitar to “explore the infinite”
By Richard Bienstock published
After decades of pushing the envelope for instrumental guitar, the two giants of the instrument are touring together, writing together, and new music is coming. Satch and Vai take their story back to the beginning, and tell us where it’s headed

“It was really, really difficult”: Alex Lifeson looks back on Rush's classic album, Grace Under Pressure
By Richard Bienstock published
Recorded during a brutal winter, Grace Under Pressure did not come easy, but all things considered, Lifeson can look back on it as a triumph. Rush had moved on, and that was the goal...

MJ Lenderman shares tone secrets and explains why there’s life in the live album yet
By Richard Bienstock published
With a blazing (not to mention “fluid like the wind”) band behind him, indie rock’s leading overdrive purveyor takes his best one-man-band material to wild new places

Alex Lifeson takes us behind the scenes at Lerxst to talk gear, tone and new music
By Richard Bienstock published
Time will tell whether Lifeson and Geddy Lee will work together again, but in the mean time the Rush icon has lots of new gear to show us, developed in partnership with Mojotone and Godin

“Every band wants to have a Sgt. Pepper’s type of moment. And American Idiot was that moment for us”: Billie Joe Armstrong on the making of the magnum opus that saved Green Day
By Richard Bienstock published
The world's biggest punk band faced a crossroads in 2004 and it was a case of go big or go home. Armstrong explains how they supersized their sound – and saved the band

“I know my limitations, but at the same time I’m really pushing myself to be a better guitar player”: Billie Joe Armstrong on ripping solos like Angus Young – and what Green Day have in common with Taylor Swift and Ed Sheeran
By Richard Bienstock published
Green Day’s Billie Joe Armstrong reveals the origin story behind Saviors, the punk superheroes’ first new album in four years, and looks back on the making of 1994’s Dookie

“This guitar gives you a piece of me. In fact, I just used one of the Epiphones to do some recording, and I’ve played them onstage, too”: Adam Jones discusses the evolution – and future – of his signature 1979 Les Paul Custom
By Richard Bienstock published
Adam Jones’ collaboration with Gibson and Epiphone brought together the Tool guitarist’s two loves, music and art, with a line of stunning Aged Silverburst LPs. Will we see more in the future? Jones sure hopes so
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