Nick Wells
Nick Wells was the Editor of Bass Guitar magazine from 2009 to 2011, before making strides into the world of Artist Relations with Sheldon Dingwall and Dingwall Guitars. He's also the producer of bass-centric documentaries, Walking the Changes and Beneath the Bassline, as well as Production Manager and Artist Liaison for ScottsBassLessons. In his free time, you'll find him jumping around his bedroom to Kool & The Gang while hammering the life out of his P-Bass.
Latest articles by Nick Wells
“In terms of sheer value for money, it’s hard to beat”: Sterling by Music Man Joe Dart Artist Series Bass review
By Nick Wells published
On paper, the Sterling Joe Dart model looks like a remarkable reproduction of Music Man’s pro-standard version. Could this be as good as it gets for a $399 bass?
Berry Oakley set the template for the Allman Brothers Band with a modified ’72 Jazz, known as ‘The Tractor’
By Nick Wells published
Oakley added a Hagstrom Bi-Sonic pickup to his 1972 Jazz Bass, giving him a total of three pickups and five control knobs
“Somebody said, ‘Why don't you try slap bass?’” Chris Wolstenholme switched up his tone and technique on Muse’s The Resistance
By Nick Wells published
Monstrous tones (and a massive signal chain) are just part of Chris Wolstenholme’s bass evolution with Muse
How Richard Bona found a rare Pastorius tune for his Brazilian-inspired solo album
By Nick Wells published
Bass worshippers will need to listen between the layers to catch the bottom-end brilliance of Bona’s Jaco tribute
“Thrill-seekers wishing to add ear-melting fuzz to their bass will be in tonal nirvana”: Goliath FX Hornburg Fuzz review
By Nick Wells published
With drive tones verging on the mythical, is this the ultimate bass fuzz?
Fretted, fretless, double bass, eight-string – Sting is unstoppable on bass. Here’s how he developed his style
By Nick Wells published
Songwriter, actor, author, activist, rock star, jazz freak... Gordon 'Sting’ Sumner is quite the renaissance man. Oh, and he played bass in The Police…
Did Paul McCartney fumble a note on this classic Beatles bassline?
By Nick Wells published
Recorded at Abbey Road Studios on October 16th, 1965, see if you can hear the bass glitch where McCartney “breaks” the main riff
Viral bass hero Blu DeTiger just gave the Fender Jazz Bass a radical revamp – but she started on a Gretsch she left in a taxi
By Nick Wells published
We talk to the bassist with 1.4 million fans on TikTok about how DJing influenced her bass playing, and sending her new signature Jazz Bass to Flea
“David Bowie didn’t even show up”: Herbie Flowers on the making of Lou Reed’s Walk On the Wild Side
By Nick Wells published
Having recorded over 20,000 sessions for the likes of David Bowie, Dusty Springfield, T.Rex, Paul McCartney and Elton John, Brian ‘Herbie’ Flowers was not your average bassist
“I couldn’t work with Lennon and McCartney. I’d end up being beaten to death”: Back in 2011 we locked horns with Lemmy
By Nick Wells published
In a world full of rock ’n’ roll poseurs, Motörhead's hard-living bassist, Lemmy Kilmister, was a true original
How a late-night drinking session with Lars Ulrich almost ruined Robert Trujillo’s Metallica try-out
By Nick Wells published
Robert Trujillo was announced as Metallica's new bassist on February 24, 2003, following a two-day try-out for the metal giants
“I’m like the power forward on a basketball team”: Bob Glaub might be the most famous bass player you’ve never heard of
By Nick Wells published
Bruce Springsteen, John Lennon, Stevie Nicks and oh so many more: for 50 years, Bob Glaub has kept things moving on hit after hit
How Chick Corea bassist Avishai Cohen landed one of the most coveted gigs in jazz
By Nick Wells published
Born in Israel and raised in St. Louis, Avishai Cohen followed the path of many bass players – electric to acoustic – and ended up landing in the hottest seat in the jazz circuit
Fender Vintera II ’60s Precision Bass review
By Nick Wells published
Vintage looks? Timeless P-Bass tones? We size up the latest incarnation of Fender’s flagship 4-string
Flea wanted to ditch Give It Away before his Red Hot Chili Peppers bandmates stepped in
By Nick Wells published
Rick Rubin persuaded Flea to tone down his original bassline on the Red Hot Chili Peppers’ 1991 hit single
Slipknot’s original bassist Paul Gray on holding the middle ground in metal’s most extreme band
By Nick Wells published
Slipknot are one of the most visually arresting bands still working today – but the late Paul Gray’s role was decidedly different
“The time I had with Prince at Paisley Park was life-changing”: MonoNeon on collaborating with giants
By Nick Wells published
The Jacob Collier, Mac Miller and Prince collaborator reveals the bassline he wishes he'd written, and reflects on the mind-blowing experience of having Mavis Staples and George Clinton guest on his new album
How Bill Wyman transformed a 1966 landmark track by the Rolling Stones
By Nick Wells published
The Rolling Stones were working to finish their Aftermath album when Bill Wyman made a musical detour
How Jack Bruce tapped into his jazz roots with fusion supergroup Spectrum Road
By Nick Wells published
Jack Bruce launched Spectrum Road in 2012, featuring drummer Cindy Blackman-Santana, and Living Colour guitarist Vernon Reid
How Led Zeppelin’s John Paul Jones took flight with Them Crooked Vultures
By Nick Wells, Brian Fox published
Back in 2010 John Paul Jones, Dave Grohl and Josh Homme joined forces in a bid to redefine heavy rock
Andy Fraser names the forgotten song that marked the pinnacle of his bass playing with Free
By Nick Wells published
Having already sparked Free’s biggest hit, All Right Now, Andy Fraser once again proved that the bass can be a focal point as much as an accompaniment
Cheap Trick’s Tom Petersson on how he pioneered the 12-string bass and influenced a generation of players
By Nick Wells published
Having invented the massive 12-string bass sound back in 1978, Cheap Trick’s Tom Petersson earned his place as one of the most innovative bassists in rock ’n’ roll
Joy Division and New Order hero Peter Hook looks back on his genre-defining legacy
By Nick Wells published
As the respective legacies of Joy Division and New Order grow, year on year, Peter Hook continues to tread his individual path
Ever wondered how Lemmy got those terrifying bass tones with Motörhead? Grab your earplugs – we're going in
By Nick Wells published
“I’ve let a few well-known bassists loose on Lemmy's rig, but no-one sounds close to him”: According to his bass tech, dialing in Lemmy's overdriven tone isn't easy
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