Michael Astley-Brown
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism from Cardiff University, and over a decade's experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
Latest articles by Michael Astley-Brown

I’ve been fitting locking tuners to all my electric guitars for 20 years – and I just found out I’ve been using them wrong the whole time
By Michael Astley-Brown published
It turns out there’s a right way to restring locking tuners – and it will make your guitar stay in tune better

“The pedal your ’board has been waiting for”? Zoom unveils the next generation of its cult classic MultiStomp pedal, cramming 100 effects into a $129 compact stompbox
By Michael Astley-Brown published
The MS-50G+ multi-FX can be any effect you want it to be, including an amp modeler with impulse responses – and it offers serious competition to the Line 6 HX One

Otherworldly headless shred, and fresh riffs from one of the most underrated guitarists of his generation: This week's essential guitar tracks
By Matt Parker published
Hot new tracks from Plini, Big Wreck, Green Day, Kenny Wayne Shepherd, Dance Gavin Dance, Tim Henson, Robby Krieger and so very many more

Legend of Zelda-inspired fret-burner gallops and drunken bends: This week's essential guitar tracks
By Matt Owen published
Usher in the weekend with must-hear cuts from Brittany Howard, Dead Poet Society, Kurt Vile, DragonForce, IDLES and more

“A new interpretation on a responsive classic”: Electro-Harmonix launches its own boutique Bluesbreaker clone – and it’s half the price of Marshall’s recent BB reissue
By Michael Astley-Brown published
The Spruce Goose is EHX’s take on the John Mayer-favored pedal, and adds a host of smart, rig-friendly features

This week's essential guitar tracks: Fresh eyebrow-singing solos from Judas Priest, and a former coma patient delivers jaw-dropping Dimebag-meets-EVH shred
By Matt Owen published
The hottest new cuts from Richie Faulkner and co, Moon Tooth, Spiritbox, Tyler Larson, Black Pumas, Lamb of God, Scott Stapp (yes), and many more…

Wolfgang Van Halen’s favorite guitarist tears it up while death metal has never sounded more alive: this week’s essential guitar tracks
By Michael Astley-Brown published
Round out the week with our curated list of unmissable songs from Intervals, Alluvial, Sophie Lloyd, Santana, Kvelertak, Sleater-Kinney and more

Fender discontinued its sought-after Blacktop Baritone Telecaster in 2015 – now Schecter has plugged the gap and hot-rodded the format for 2023
By Michael Astley-Brown published
The PT EX is heavily inspired by the still in-demand Blacktop Baritone Telecaster, but supercharges the design with a number of smart updates

A Young Guitarist of the Year returns and Toto’s Africa meets extreme metal: This week’s essential guitar tracks
By Matt Owen published
Fresh new tunes you need to check out this week, from Juho Ranta-Maunus and Marnie Stern to U2 and Bernie Marsden

After three years of waiting, Neural DSP reveals Quad Cortex plugin compatibility is finally on the cards
By Michael Astley-Brown published
Archetype: Plini will be the first plugin to be compatible with the all-powerful amp modeler, starting next month – well, sort of…

“Years in the making and the first of its kind”: Pigtronix reveals the Cosmosis, an ambient reverb with groundbreaking tones you won’t hear from any other pedal
By Michael Astley-Brown published
The radical new stereo reverb features an innovative Morph footswitch, which not only sets it apart from any other ’verb on the market but also promises limitless potential for otherworldly soundscapes

’90s alt-rock giants unite and blink-182 make a surprisingly heavy return: this week’s essential guitar tracks
By Matt Owen, Michael Astley-Brown, Matt Parker, Jackson Maxwell published
Tasty new guitar tracks that need to be on your radar from Johnny Marr, Yasmin Williams, Art of Anarchy, The Vaccines, Bleachers, Joanne Shaw Taylor, Chelsea Wolfe and more

“We’re doing this because Black Sabbath did it. Neil Young did it. Van Halen did it. Are you going to tell Eddie Van Halen he wasn’t playing guitar properly?” Soundgarden’s Kim Thayil recalls his battles with drop-D trolls
By Michael Astley-Brown published
Thayil brought drop-D tuning to the mainstream with the grunge guitar revolution – but he had to contend with “purists and nitwits who would write into guitar magazines saying, ‘Drop D is cheating; you’re not really playing if you do that!’”

“Angry, aggressive, loud and brutal”: Combined, these 36 fuzz pedals are a literal work of art – individually, they sound terrifying
By Michael Astley-Brown published
Only the Dead… is the latest jaw-dropping stompbox from Gone Fishing Effects – the brainchild of guitar tech to the stars Richard ‘Churd’ Pratt

Death metal SG tones, the drummer from Slayer and “unabridged hatred in musical form”: get a load of this year’s filthiest riffers Empire State Bastard
By Michael Astley-Brown published
Mike Vennart is touring guitarist for Biffy Clyro and former frontman of UK prog heroes Oceansize, but he’s finally let his extreme metal alter ego out – and it’s seriously nasty, as evidenced in this no-holds-barred playthrough

“My original ’60 Stratocaster will always sound the best. This one is right next to the best”: Pearl Jam’s Mike McCready on why he’s playing his more affordable signature guitar live, covering Eruption and embracing digital amps
By Michael Astley-Brown published
Now onto his second signature Fender, grunge’s answer to Stevie Ray Vaughan reflects on his greatest Stratocaster moment, how Eddie Van Halen and Chris Cornell inspired his guitar playing, and why you should be excited for the next Pearl Jam album – oh, and his rock opera about the Seattle scene

“A moment for modern guitar playing” that reaches new technical heights and Spinal Tap’s antidote to the Barbie hype: this week’s essential guitar tracks
By Matt Owen published
Hot new cuts courtesy of Unprocessed, Derek Smalls, Meet Me @ The Altar, Wargasm, While She Sleeps, Erja Lyytinen, Wilco, Big Thief and more

“They’re some of the best amps I’ve ever played”: Pearl Jam’s Mike McCready on why he made the switch to Fender’s digital Tone Master amps
By Michael Astley-Brown published
The self-confessed tube lover changed up his backline for Pearl Jam’s 2022 US tour – but it wasn’t a decision he took lightly

“Andrew Watt pushed us as hard as we could be pushed”: Pearl Jam’s energetic new album is “just about finished” – but Mike McCready is also working on a rock opera about the Seattle music scene
By Michael Astley-Brown published
The lead guitarist shares the first details of his ambitious new musical that honors Chris Cornell and other Seattle legends – and why he used Andrew Watt’s gear rather than his own for the rock veterans’ forthcoming record

Remarkable returns from the Rolling Stones and Måneskin, plus a Tool bassist’s sonic experiments: this week’s essential guitar tracks
By Jackson Maxwell published
Besides stadium and arena mainstays, we’ve got fresh cuts from The Gaslight Anthem, Dead Poet Society, Shylmagoghnar and an eclectic Justin Chancellor side-project

“I was able to do something weird when I played, something unusual I couldn’t do with anything else”: Kevin Shields’ signature Fender Shields Blender sold out instantly, but now it’s back – and $200 cheaper
By Michael Astley-Brown published
In honor of the sought-after fuzz pedal’s return, My Bloody Valentine’s sonic genius has teamed up with J Mascis for one of the most psychedelic gear demos you’ve ever heard

“This guitar does things most guitars aren’t gonna do”: It took three failed attempts and three decades of waiting, but Soundgarden guitarist Kim Thayil finally has a signature Guild S-100
By Michael Astley-Brown published
The long-awaited signature model for the grunge guitar icon has landed at last, complete with nods to the Seattle institution’s discography and hand-wound Jason Lollar pickups

Metallica just launched the world’s first-ever guitar-shaped ice cream bar
By Michael Astley-Brown published
Based on James Hetfield’s ESP Truckster, the Enlightened x Metallica vanilla dark chocolate bars will raise money for the metal icons’ All Within My Hands foundation

Want to try your hand at pedal building? Mojotone’s easy-to-assemble pedal kits are based on classic designs – and keep soldering to a minimum
By Michael Astley-Brown published
The four kits – based on the Tube Screamer, Rat, Big Muff and Blues Breaker – offer extra versatility over the original designs

“All the pedals should be put in a big pile and we should light ’em on fire”: Mac DeMarco is synonymous with woozy vibrato guitar – but he hates pedals
By Michael Astley-Brown published
The hugely prolific singer-songwriter dubs pedals “cheap pieces of s**t with crappy electronics” – and don’t even mention patch cables or power supplies…
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