Glenn ProudfootSocial Links Navigation Latest articles by Glenn Proudfoot Sick Licks: Taking the G Minor Blues Scale to the Outer Limits By Glenn Proudfoot published 24 October 12 Lessons Sick Licks: Major 6th Mayhem By Glenn Proudfoot published 16 October 12 Lessons Sick Licks: Getting Insane with the E Minor Blues Scale By Glenn Proudfoot published 5 October 12 Lessons Sick Licks: Major 3rd Madness By Glenn Proudfoot published 1 October 12 Lessons Sick Licks: Grasping Shawn Lane's Evil "Outside Sound" By Glenn Proudfoot published 10 September 12 Lessons Sick Licks: A Little Wide "Alien Legato" Action By Glenn Proudfoot published 30 August 12 Lessons Sick Licks: Hybrid Rake Picking Inspired by Shawn Lane By Glenn Proudfoot published 23 August 12 Lessons Sick Licks: Developing Rapid Position Changes on the Fretboard By Glenn Proudfoot published 15 August 12 Techniques Sick Licks: Crawling Up and Down the Neck with the "Spider Technique" By Glenn Proudfoot published 9 August 12 Techniques Sick Licks: Mimic Keyboard Players' Techniques with Over-the-Top Arpeggios By Glenn Proudfoot published 2 August 12 Techniques Sick Licks: Achieving That "Alien" Sound With a Shawn Lane-Inspired Lick By Glenn Proudfoot published 19 July 12 Techniques Sick Licks: Practice Playing Intricate Patterns Up and Down the Neck By Glenn Proudfoot published 10 July 12 Lessons Sick Licks: An Introduction to the "Claw Technique" By Glenn Proudfoot published 28 June 12 Techniques Sick Licks: Crazy Combination of the Whole Tone, Diminished and Pentatonic Scales By Glenn Proudfoot published 20 June 12 Musical Tips & Advice Sick Licks: Create Wide-Open Arpeggios by Fretting With Your Thumb By Glenn Proudfoot published 13 June 12 Lessons Sick Licks: Combining the Natural E Minor Pentatonic, Flat 5 and Major 3rd Pentatonic Scales By Glenn Proudfoot published 6 June 12 Techniques Sick Licks: Create Longer Legato Lines by Fretting With Your Right Hand By Glenn Proudfoot published 31 May 12 Lessons Loud & Proud: A New Approach to Diminished-Seven Arpeggios By Glenn Proudfoot published 24 May 12 Lessons Sick Licks: Getting Aggressive With the A Minor Blues Scale By Glenn Proudfoot published 22 May 12 Lessons Sick Licks: Go Over the Top With the A Minor Pentatonic Scale By Glenn Proudfoot published 15 May 12 Techniques Sick Licks: Fretting with Five Fingers in Pentatonic and Diminished Scales By Glenn Proudfoot published 7 May 12 Techniques Sick Licks: Crazy Transitions in the E Diminished Scale By Glenn Proudfoot published 1 May 12 Lessons Sick Licks: Over-The-Top Shredding Using the E Minor Pentatonic Scale By Glenn Proudfoot published 24 April 12 Lessons Loud & Proud: Building Patterns in the Pentatonic Scale, Part 2 By Glenn Proudfoot published 29 February 12 Musical Tips & Advice Loud & Proud: Building Patterns in the Pentatonic Scale, Part 1 By Glenn Proudfoot published 22 February 12 In the first edition of Glenn Proudfoot's new Guitar World column, "Loud & Proud," the Australian guitarist looks at a few simple ways of building patterns inside the pentatonic box. Lessons 1 2 3 Archives Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors MORE FROM GUITARWORLD...1“I remember watching when The Edge started Where the Streets Have No Name. When Bono came out, I swear I saw a halo around his head!” Shane Fontayne on being mentored by Mick Ronson, joining the Boss' Other band and playing Stairway for Jimmy Page2“These guys started the band the same year I was born – they have a whole world of history together”: How Nicole Row went from a wild ride in Panic! at the Disco to laying down the low-end in Incubus – and rerecording their biggest album3“Who doesn't want to hear the recording of Ted Nugent and Eddie Van Halen jamming?” Ted Nugent's colossal archive includes sessions with EVH, Billy Gibbons and the Mothers of Invention4“I started on guitar because I wanted to be in a band and meet girls. Richie wanted to be a guitar player, because he wanted to play guitar”: Adrian Smith and Richie Kotzen come from different worlds, but it all comes back to the blues5“It went wrong since Corona”: Bax Music, one of Europe’s largest musical instrument retailers, files for bankruptcy and ceases operations
Sick Licks: Taking the G Minor Blues Scale to the Outer Limits By Glenn Proudfoot published 24 October 12
Sick Licks: Developing Rapid Position Changes on the Fretboard By Glenn Proudfoot published 15 August 12
Sick Licks: Crawling Up and Down the Neck with the "Spider Technique" By Glenn Proudfoot published 9 August 12
Sick Licks: Mimic Keyboard Players' Techniques with Over-the-Top Arpeggios By Glenn Proudfoot published 2 August 12
Sick Licks: Achieving That "Alien" Sound With a Shawn Lane-Inspired Lick By Glenn Proudfoot published 19 July 12
Sick Licks: Practice Playing Intricate Patterns Up and Down the Neck By Glenn Proudfoot published 10 July 12
Sick Licks: Crazy Combination of the Whole Tone, Diminished and Pentatonic Scales By Glenn Proudfoot published 20 June 12
Sick Licks: Create Wide-Open Arpeggios by Fretting With Your Thumb By Glenn Proudfoot published 13 June 12
Sick Licks: Combining the Natural E Minor Pentatonic, Flat 5 and Major 3rd Pentatonic Scales By Glenn Proudfoot published 6 June 12
Sick Licks: Create Longer Legato Lines by Fretting With Your Right Hand By Glenn Proudfoot published 31 May 12
Sick Licks: Fretting with Five Fingers in Pentatonic and Diminished Scales By Glenn Proudfoot published 7 May 12
Sick Licks: Over-The-Top Shredding Using the E Minor Pentatonic Scale By Glenn Proudfoot published 24 April 12
Loud & Proud: Building Patterns in the Pentatonic Scale, Part 2 By Glenn Proudfoot published 29 February 12
Loud & Proud: Building Patterns in the Pentatonic Scale, Part 1 By Glenn Proudfoot published 22 February 12 In the first edition of Glenn Proudfoot's new Guitar World column, "Loud & Proud," the Australian guitarist looks at a few simple ways of building patterns inside the pentatonic box.
