Latest articles by Ellie Robinson
Greta Van Fleet’s Jake Kiszka: “We wanted to create something orgasmic and cinematic”
On LP2, the Kiszka brothers' love of film collides with their talents in rock 'n' roll
The Antlers - Green To Gold album review
"There’s no two ways about it: The Antlers’ comeback effort is simply delightful"
Cheap Trick’s Rick Nielsen: “We’ve loved Australia since the first time we went there in 1978”
Neilsen chats LP #20 and Cheap Trick's upcoming Australian tour, and bleeds a whole bunch
Erra - Self-Titled album review
"A rich, concentrated distillation of everything the fivesome excel at"
Producer Profile: Shane Edwards
Unlocking the secrets of Aussie hardcore's very own Willy Wonka
Foo Fighters’ Chris Shiflett: “In 25 years, we’ll all be on stools, playing ukuleles and doing ballads – but we might still be going!”
Gear, grooves, and... Ghosts!?
Citizen - Life In Your Glass World album review
"Huge, headbang‑inducing riffs and a rhythm section that’s always nothing short of riveting"
Hayley Williams - FLOWERS for VASES / descansos album review
"Williams fully embraces her Nashville origins and absolutely nails every folky bend and atmospheric warble"
Evanescence’s Jen Majura and Troy McLawhorn: “I think it’s a very beautiful, very meaningful, very REAL album”
To make their boldest album yet, Evanescence tapped into a world of internal ire
Birds Of Tokyo fill us in on their favourite summer jams
Spoiler alert: it's a pop-punker's dream playlist come true
The Weather Station - Ignorance album review
"The Weather Station’s most charismatic – and effortlessly most exciting – record to date"
Hospital Bracelet - South Loop Summer album review
"South Loop Summer is an unequivocally razor-sharp and riveting listen"
Spotlight: Axel Carrington of New Talk
The new album, Time & Memory, is out now independently
Jess Locke: “The world is insane at the moment – I feel like I couldn’t help but just absorb everything!”
Five years in the making, the new album from Melbourne’s indie-rock queen is every bit as silvery and special as one could dream.
Stumps - All Our Friends album review
"All Our Friends is a retro-tinged indie-rock epic with equal parts heart and spirit, and plenty of both to share."
Psychedelic Porn Crumpets’ Jack McEwan: “It’s the clean tone that really defines what a great guitar sounds like”
For their ambitious fourth album, the Perthian psych-lords in PPC get louder and rowdier than ever before
The six-string origins of DZ Deathrays
As DZ Deathrays gear up to make some budding shredders' dreams come true, we look back on their own L-plater days
Australian Guitar's Fresh Frets: Vol. 7
On the lookout for your next favourite Aussie band? You've come to the right place – here are eight of the locals we're loving most at the moment!
Orianthi: "I wanted to really mess with my sounds and try new stuff"
On her first solo album in over six years, Orianthi taps into a wicked world of new inspiration.
Nova Twins - Who Are The Girls? album review
"It’s hard not to envision a huge future ahead for these up-and-coming rippers."
Plini: "I’m really happy with everything on this record, which I don’t think has ever happened before"
Ironically, very little of the material on Impulse Voices – the long-awaited second album from scene-leading prog-rocker Plini – came from impulse. Instead a result of long, introspective stretches of time off-tour, the album shows a whole new side of the Sydney-based instrumentalist.
Amahiru’s Saki: “It was so fun to work with Frédéric Leclercq and we both had a lot of ideas, so we decided to make Amahiru its own project”
What happens when you pair an icon of European metal with the undefeated queen of Japanese post-rock? You get Amahiru: one of the most jaw-droppingly badass bands in the world right now.
