
Amit Sharma
Amit has been writing for titles like Total Guitar, MusicRadar and Guitar World for over a decade and counts Richie Kotzen, Guthrie Govan and Jeff Beck among his primary influences as a guitar player. He's worked for magazines like Kerrang!, Metal Hammer, Classic Rock, Prog, Record Collector, Planet Rock, Rhythm and Bass Player, as well as newspapers like Metro and The Independent, interviewing everyone from Ozzy Osbourne and Lemmy to Slash and Jimmy Page, and once even traded solos with a member of Slayer on a track released internationally. As a session guitarist, he's played alongside members of Judas Priest and Uriah Heep in London ensemble Metalworks, as well as handled lead guitars for legends like Glen Matlock (Sex Pistols, The Faces) and Stu Hamm (Steve Vai, Joe Satriani, G3).
Latest articles by Amit Sharma

“I’ve been wanting to do this solo thing for a very long time. I had to do stuff with Mötley… now it’s my time”: Mick Mars opens up about his surprisingly heavy solo debut and life after the Crüe
By Amit Sharma published
As he releases the first single from his first-ever solo record, The Other Side of Mars, Mick Mars reflects on his guitar legacy, growing up with Eddie Van Halen and why he thinks Mötley Crüe made a “very, very wise choice” in hiring John 5

“Playing scales up and down is dumb… this isn’t a f**king recital!” We meet the outspoken cartoon shredder who teamed up with Gary Holt, Alex Skolnick and George Lynch for one of this year’s biggest shred guitar albums
By Amit Sharma published
Led by a guitarist who claims to be the Bay Area lovechild of James Hetfield, The Shredderz just put out an all-star thrash metal album like no other. We get the lowdown on how a fictional band recruited some of today’s finest soloists for an orgy of sweep picking and searing shred

“What people tend to do is learn licks and then try to stick them into the solos – and that’s not really the way to do it”: Iron Maiden’s Janick Gers shares his tips for better guitar solos
By Amit Sharma published
The Iron Maiden stalwart explains why he is a big advocate for guitar solos with the safety off: no soundchecks, no warm-ups, and something different each and every night

“Sometimes bad gear can give you a good idea! I’ll go with whatever’s around. There are no rules”: Code Orange’s Reba Meyers on writing “pure evil” riffs and why she’d rather play a guitar that “sounds a little sh**tier” than a studio classic
By Amit Sharma published
New album The Above finds the Pittsburgh metalcore crew pushing at the extremes – but just don't take those clean tones as some kind of '90s revival

“I never have to think about strumming patterns – it’s all taken care of because the motor is always going”: Cory Wong is the modern king of funk guitar – he shares his tips for tightening up your rhythm playing
By Amit Sharma published
The maestro of contemporary funk shares what he learned from Nile Rodgers, the classic chord you won’t find in guitar books, and why guitarists have to leave some room for the audience’s imagination

“People forget that great rhythm guitar will help make your solo sound better”: YouTube guitar guru Marty Schwartz on the biggest mistakes aspiring guitarists make – and how to fix them
By Amit Sharma published
The star of online guitar teaching on why you should never underestimate the importance of good rhythm guitar, and the best songs to improve your guitar playing fast

“It’s the best front-end amp pedal I’ve ever heard”: Justin and Dan Hawkins have launched their own pedal brand – and its first stompbox is based on their tones from The Darkness’s debut album
By Matt Owen published
The limited-edition unit – built in collaboration with Kirk Hammett's KHDK pedal brand – ushers in the pair's new gear venture, Hawkins Brothers Audio

“We’re trying to do the AC/DC version of a two-pronged attack, especially when we play live”: The Darkness’ Justin and Dan Hawkins on the high-volume twin-guitar secrets behind Permission To Land
By Amit Sharma published
To celebrate 20 years of Permission To Land, the Hawkins brothers take us back to the start, and unpack a sound built upon the elemental force of Marshall amps and Gibson Les Pauls

“A lot of folk are ignorant. People watch a couple of Stevie Ray Vaughan videos and think all they need is distortion and fast licks”: Christone ‘Kingfish’ Ingram on where guitarists “go wrong” when playing the blues
By Matt Owen published
The blues ambassador reflects on the state of the genre in the modern age

“If you sound really good when you’re practicing, that means you’re practicing things you can already do, which isn’t really benefiting you fully”: Guthrie Govan shares his top tips for soloing
By Amit Sharma published
The Aristocrats virtuoso is a generational talent – here is his advice for getting the most from your practice

“I’d like to remind all the perfectionist guitar nerds to listen to Jimmy Page’s solo on In the Evening. It sounds like the guitar is falling down the stairs… It’s brilliant”: Soundgarden’s Kim Thayil dissects his “dangerous” approach to guitar playing
By Amit Sharma published
The Soundgarden guitarist looks back on his most iconic riffs and solos, as well as the gear and tunings that guided him deep into the creative superunknown

9 ways to get more from your amp modeler and multi-effects pedals
By Amit Sharma published
Going digital presents guitarists with more options than ever before. We take a look at some easy ways to exploit DSP power to help you find better tone

“Buckethead made me want to explore the idea of using a kill switch. I love how creative you can get”: How John 5 revolutionized one of Fender’s oldest guitar designs with the Ghost Telecaster
By Amit Sharma published
The Mötley Crüe gunslinger explains how fashion brand Supreme inspired his latest signature guitar, what makes his favorite pickups ideal for everything from country to metal – and why no-one is a bigger Buckethead fan than he is

“Every guitarist should be in search of their toothpaste tone!” Larkin Poe explain how good guitar tone can make your playing better
By Amit Sharma published
Roots rock sister duo Megan and Rebecca Lovell on what makes drive pedals essential for shaping your soloing, why even blues players shouldn’t dismiss amp modelers – and what toothpaste tone actually is…

8 ways to get more from your guitar amp
By Amit Sharma published
How to find new sounds and rekindle your love affair with your amp

“We know amps and guitars are important, but your own DNA is bigger than that”: Nuno Bettencourt on why, when it comes to tone, your personality always comes first
By Amit Sharma published
The Extreme guitarist drops some tone wisdom and explains why you should be looking for a rig that gets out of your way and lets you be you

“Hearing Jaco Pastorius changed my life. I took the frets out of my first bass because of Jaco! He could make you like the bass, whether you liked it or not”: Victor Wooten names 10 bassists who shaped his sound
By Amit Sharma published
One of the bass guitar’s all-time greats on how Béla Fleck got him into Paul McCartney, the time Stanley Clarke sent him a broken bass string, and why Marcus Miller is “so good, he can play on something and you won’t know it’s him”

“Some of what you practice should sound s**t, because then you know you’re working on something that needs to be worked on”: Guthrie Govan on the art of improvisation – and how to make practice as effective as possible
By Matt Owen published
The Aristocrats virtuoso is one of the finest guitar players of our generation, so when he offers advice on becoming a better player, we listen

“We’re doing this because Black Sabbath did it. Neil Young did it. Van Halen did it. Are you going to tell Eddie Van Halen he wasn’t playing guitar properly?” Soundgarden’s Kim Thayil recalls his battles with drop-D trolls
By Michael Astley-Brown published
Thayil brought drop-D tuning to the mainstream with the grunge guitar revolution – but he had to contend with “purists and nitwits who would write into guitar magazines saying, ‘Drop D is cheating; you’re not really playing if you do that!’”

“The picking speed on that open A is insane”: YouTube’s go-to guitar teacher Marty Schwartz reveals the hardest track he’s had to teach
By Matt Parker published
The online teacher has been pondering the most challenging lessons he’s recorded and says one song left him stumped

“If you have a semi-hollow with a tube amp and overdrive pedal, and you set it all up correctly, you can get your guitar to ring out forever”: Melanie Faye is bringing a new voice to virtuosic neo-soul guitar – and her own signature chord
By Amit Sharma published
The R&B guitarist and producer talks us through her new D’Angelico signature model, her unique approach to neo-soul guitar and how Wes Montgomery and Joe Pass inspired her love of semi-hollows

“To put it simply: no Beatles, no George, no me. I still feel very privileged to have called him a friend”: Bernie Marsden on the genius of George Harrison
By Amit Sharma published
In this previously unpublished interview, the late Whitesnake guitar great recalls how the Beatles’ lead guitarist inspired him to pick up the instrument in the first place: “The word ‘lead’ grabbed my attention immediately – I liked the idea of being a leader very much...”

“Every rock band is trying to write their own Seven Nation Army riff... It’s nice when you write something powerful that even a beginner could learn”: Simplicity is the key to a good guitar anthem – just ask Skindred’s Mikey Demus
By Amit Sharma published
The enterprising guitarist discusses his love of UK guitar brands, pedalboard epiphanies, and how he ended up forming a pedal company with the “best pedal designer” in Britain

“We’re not taking the p***, playing silly rock riffs. I work hard to honor the original players”: How prog icon Robert Fripp ended up covering – and loving – Megadeth, Metallica and Slipknot
By Amit Sharma published
The King Crimson leader’s madcap Sunday Lunch video series with wife Toyah Willcox saw him tackle some of the biggest rock and metal songs of all time – and return to standard tuning after 35 years away. He shares the similarities between his and Dave Mustaine’s guitar style, why Kirk Hammett is such a “stunning player”, and what happened when ZZ Top pulled the plug on King Crimson…

“When I flick the pickup selector, it turns my bass into a Stratocaster!” Mike Kerr on how he broke all the bass rules for his signature Fender Jaguar – and why his “lack of ability” is key to Royal Blood’s astronomical success
By Amit Sharma published
His earthquaking live sound is bigger than most other bassists and guitarists combined, and now Kerr has a signature bass worthy of his epic tone. He reveals the secrets behind his rig, why shredding won’t conquer arenas, and what makes short-scale basses “feel like the 10-kilo vest has been taken off”
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