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Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning
By Glenn Kimpton published
Wesson's full-length solo debut was made in collaboration with his Martin D-28 and a ’68 Fender Pro Reverb amp rescued from the trash outside a London guitar shop, and features 10 tracks with a story to tell
Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp
By Chris Gill published
On the eve of the release of 10,000 Days, Tool's tone titan sat down for a chat with GW about the reclusive quartet's creative process, “the Melvins school of writing music,” and why he absolutely, positively, did not use an E-Bow on the album
How Ella Feingold got working with Bruno Mars – and how it differed from her Prince audition
By Janelle Borg published
Feingold had already worked with Janet Jackson, Jay-Z, Erykah Badu and Queen Latifah when she got the call from Bruno Mars
Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist
By Andrew Daly published
Starting his punk band Verböten at 11 with a “terrible” SG copy, the modest guitar hero (and Bob Mould bassist) remains in demand with his eternal passion, attention to detail and love of living room shows
Steve Cradock on that time he recorded Come Together with Paul McCartney – using Paul Weller's Epiphone Casino
By Matt Owen published
Cradock and McCartney formed a supergroup with Weller, Noel Gallagher, Steve White and Carleen Anderson during the recording of 1995's The Help Album
“I love driving people crazy”: The untapped guitar playing of David Gilmour’s solo albums
By Ryan Reed published
From his 1978 debut to the record he deemed his best since Dark Side of the Moon, we present a complete guide to the Pink Floyd icon’s solo material
How George Benson helped take Ibanez to the next level in the late-’70s
By Janelle Borg published
With multiple Ibanez signature guitars under his belt, the Breezin' guitarist shares the story of how his relationship with the Japanese guitar brand came about
Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less
By Andrew Daly published
A gearhead through and through, the Dixie Dregs and ex-Deep Purple guitarist reveals some of his follies and lessons learned along the way
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