Ozzy Osbourne Hears Isolated Randy Rhoads “Crazy Train” Solo for First Time in 36 Years
Ozzy Osbourne recently heard the raw, unmixed master tape of his hit song “Crazy Train” for the first time since he recorded it on March 22, 1980. And by all appearances, it was an emotional moment for the heavy metal legend.
The occasion was captured on an episode of Ozzy and Jack’s World Detour, the History TV show featuring Osbourne and his son.
Osbourne became visibly moved as he listened to the guitar work of Randy Rhoads, the young virtuoso guitarist who cowrote the song with him. Rhoads served as Osbourne’s guitarist from 1979 to 1982, during which time they recorded the first two albums of the singer’s solo career: Blizzard of Ozz and Diary of a Madman. Rhoads died on the Diary of a Madman tour when a small aircraft in which he was a passenger crashed during an early morning joyride on March 19, 1982.
“Randy Rhoads was a big part of my life, and he still is to a certain degree,” Osbourne says in the clip. “I’m always thinking about him.”
During the listening session, the studio engineers isolate Rhoads’ guitar solo, allowing Osbourne—and the rest of us—to hear his guitar work in all its glory.
“It’s bittersweet,” Ozzy says of hearing the tape. “Randy Rhoads died not long after that. It’s kind of like going back to a good time but yet a really horrible time at the same time. I only wish he could be around a little bit longer.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Christopher Scapelliti is editor-in-chief of Guitar Player magazine, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.
“The idea of lead guitar is that there’s focus put on it, and during this period I just didn’t want any focus to be on me”: How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief
“Wolfgang knows more Intervals songs at any given moment than I do – on guitar and drums”: Intervals' Aaron Marshall on making the impossible possible, and jamming with Wolfgang Van Halen