On His Latest Tour, Eric Johnson Revisits His Best-Loved Work, 'Ah Via Musicom'
You’d think Eric Johnson would look back fondly on the making of his breakthrough album, 1990’s Ah Via Musicom. Melodic, stylistically diverse and filled with stunning displays of instrumental agility, this self-produced rock guitar classic earned Platinum sales and yielded three Top 10 Mainstream Rock chart singles, including Johnson’s signature tune, the Grammy-winning “Cliffs of Dover.” Yet when he describes the year and a half he spent crafting Musicom, the Austin, Texas, guitarist/vocalist sounds far from nostalgic.
“I really was going for broke, and it kind of wore me out making that record,” he recalls. “I would record a song completely, overdub it and get it all finished, and then I’d listen to it and go, ‘That’s not it!’ And then I’d just tear it down and start again.”
Much of Johnson’s struggle centered on his pursuit of the perfect tone . “I’ve always had a dream of the electric guitar sounding elegant,” he explains. “I thought, Wouldn’t it be cool to get Wes Montgomery’s tone, but through a Marshall on 10? It’s kind of like an antonym: ‘I want a pure distortion.’ That’s kind of like saying, ‘I want dry water.’ But it can be approximated a little bit.”
Nearly three decades since Musicom’s release, Johnson is taking to the road to play the album live in its entirety. During the first several months of 2018, he will be joined onstage by the original rhythm section from the record: drummer Tommy Taylor and bassist Kyle Brock, the latter of whom he hasn’t performed with in about 20 years.
As well as coinciding with the release of the new Eric Johnson Signature Thin-line Strat, the Ah Via Musicom 2018 Tour promotes Johnson’s new Collage album, which places his latest originals alongside covers of songs by the likes of Jimi Hendrix, Stevie Wonder and the Beatles. In a willful attempt to break old habits, the guitarist cut a good portion of Collage live, not always going back to correct mistakes.
“It’s part of my therapy: I’m forcing myself to leave stuff in that I normally wouldn’t,” he chuckles. “I can listen to some of the records that I’ve made where I just beat ’em to death, and I paid a high price for it: ‘Okay, you finally got it, but there’s not much life force in it anymore; it’s kind of become like a mannequin or something.’ The more I let things go, the more I retain the life force.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
“We’ve had four days to learn these songs and we’re gonna play every single one of them tonight”: Eric Clapton, Trey Anastasio, Bob Weir, Van Morrison, Mike Campbell, Lucinda Williams celebrate Robbie Robertson at epic Martin Scorsese-curated tribute
“We’re three very different players, still evolving on our instruments”: Joe Satriani, Steve Vai and Eric Johnson bring their A games for electrifying Crossroads jam in first pro-shot footage of G3 2024 tour