“I plugged into a Marshall stack – and it sounded awful. I could hardly play... Jimi Hendrix came onstage, plugged into the same amp – and it sounded like a cataclysm”: Brian May on the one time he experimented with a Marshall stack
The Vox AC30 amp/Red Special guitar combo is one of the most iconic in rock, but the Queen guitar hero didn't solidify that setup straight away
Brian May and the Vox AC30 guitar amp: it's like peanut butter and jelly, bread and butter, baseball and hot dogs. That and, of course, his trademark Red Special electric guitar, and you have one of the most iconic player/instrument/amp combos in rock.
That's not to say, though, that May arrived at that setup straight away.
In Queen's early days, May didn't have a backup Red Special on hand, leading him to have to turn to Strats and Les Pauls – neither of which he ever clicked with – on occasion.
Having gotten his real start in the rock guitar world in the early '70s, May was also absolutely surrounded by Marshall stacks, which were seen as both a necessity in the nascent arena rock circuit – which didn't really exist until the late '60s – and a weapon in the loudness war of sorts that was fast developing between the biggest bands of the period.
Asked by Guitarist in a recent interview if he was ever tempted to follow his contemporaries down the Marshall road, May replied in the affirmative, vividly recalling the night he experimented with a fabled Marshall stack.
“We played one show at Olympia [in London]. Top of the bill was Jimi Hendrix and everybody essentially played through the same gear,” the guitarist recalled. “So I plugged into a Marshall stack with my guitar and treble booster. Turned it all the way up – and it sounded so awful. I could hardly play.
“I didn’t know what to do. It sounded like an angry wasp. It didn’t have any depth or articulation, I couldn’t play chords. It was a really hard experience for me.”
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Naturally, as May observed, Mr. James Marshall Hendrix seemed a bit more at home with that particular sonic weapon.
“After we’d played, I stayed behind backstage and I looked through between the amps as Jimi came on stage, plugged into that same amp – and it sounded like a cataclysm,” May recalled.
To read the full interview with May – in which the guitarist discusses the new Queen I boxset, poverty, parental disapproval, and the Red Special’s first run-out – pick up a copy of the new issue of Guitarist at Magazines Direct.
Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.
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