“My old drummer said, ‘Hey, I’ve got this friend. He’s got a ’59 Strat, and he needs money. He’ll sell it to you for four grand, cash’”: Rick Springfield on the vintage Fender Stratocaster he feels “terrible” about buying
As a bona fide guitar collector, Springfield owns many storied guitars – including his trusty Gibson SG, on which he wrote his career-making hit
Jessie’s Girl hitmaker-turned-actor Rick Springfield may not be the first person that comes to mind when thinking of famous guitar collectors. However, beyond the intriguing, steampunk-style guitars he's been seen playing in recent years, his collection includes a '59 Fender Strat with a questionable backstory.
“I bought [it] off a druggie for $4,000, which I feel terrible about," Springfield tells Guitar World.
“One of my old drummers – I won’t mention who it was because he was doing the drug route himself – said, ‘Hey, I’ve got this friend. He’s got a ’59 Strat, and he needs money.’ He said, ‘He’ll sell it to you for four grand, cash.’”
Despite the finish having been sanded off, all the electronics were original – and Springfield saw potential in the battered Strat. “I had it checked out, gave him four grand for the guitar, and it’s awesome. I had the Tobacco [Sunburst] finish redone on it, and it’s awesome. I love it. It was a great, great deal.”
Among his staple guitars are also a recently acquired ’64 Epiphone Casino, bought as an homage to The Beatles and their guitars, and his trusty Gibson SG, which he used to write his career-making hit and record 1981's Working Class Dog, the album that spawned it.
“I bought it in 1969 in Australia, where I grew up. That was the first good American guitar I’d ever owned,” he recalls of the SG.
“It’s been a really lucky guitar for me, and it has a great sound. I’ve used it a lot in the studio and wrote Jessie’s Girl on it. Back then, if you wanted another guitar, you had to trade in the one you had. It wasn’t like it is now, where once you get some kind of name, they give you guitars.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
He continues, “It’s kind of the reverse of what it should be when you’re starting out. It should be a lot easier to get a great guitar. But that was the one I played. I’ve played it on everything, and it was the main guitar on Working Class Dog for sure.”
Guitar World's full interview with Rick Springfield will be published next month.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“What I do with the trem arm is not an exact science. It’s more like an absurdist alchemy”: Imperial Triumphant guitarist Zachary Ezrin showcases his wild whammy technique on Eye of Mars – and a Gibson with the Midas touch
“I don’t practice, because I don’t think that practicing in itself is necessary”: Yes icon Steve Howe on why he rarely runs scales, thrashing acoustics – and why you won’t catch him playing unfamiliar guitars