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Pat Metheny tells the story of how he met Jaco Pastorius – and their formative years in Miami
By Janelle Borg published
Pastorius notably played on Metheny's debut album, Bright Size Life, and the two even joined Joni Mitchell on her Shadows and Light tour
Misha Mansoor on the emergence of offsets in metal music – and why he should have seen it coming
By Matt Owen published
The Periphery guitarist recently worked with Jackson to produce one of 2024's most talked-about custom builds – but he's not the first player to have dragged the offset into heavy territory over the past few years
How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief
By Jonathan Horsley published
The first of a four-album cycle on death and rebirth involved a serious stack of gear and staggering new speakers – and the Canadian prog-metal maverick says the process was cathartic in its own way
Intervals' Aaron Marshall on making the impossible possible, and jamming with Wolfgang Van Halen
By Gregory Adams published
Memory Palace is another dizzying work of instrumental genius from Aaron Marshall and co, but creating all this on record presents a challenge when it comes to the live show. Marshall's approach? Play it by any means necessary...
David Gilmour on why the guitar is still a vehicle for giving “birth to new tunes” – decades deep into his career
By Janelle Borg published
Gilmour talks about how limitations and “getting discomfited” are crucial to his songwriting process – and to keeping things sounding fresh
Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
By Andrew Daly published
As Aerosmith call time on their stellar 50-year touring career, Perry joins us to reflect on what he’s learned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards
George Benson on how he got the Gibson that shaped his 1976 chart-topping record, Breezin’
By Janelle Borg published
Benson recalls how he bought his Breezin' Gibson Johnny Smith from someone he calls “one of the bravest guys I’d ever met”
Myles Kennedy names the “secret sauce” stompbox he thinks every guitar player should own
By Matt Owen published
The Alter Bridge icon used the sub-$200 octave fuzz pedal on his recent solo record
Jake E. Lee on comparisons with Randy Rhoads – and what his fellow Ozzy shredder was better at
By Phil Weller published
The virtuoso has weighed in on the decades-long debate that has pitted him against his Prince of Darkness predecessor
Jeff Beck on his relationship with Eric Clapton, jamming with Hendrix, and turning down John Mayall
By Andy Aledort published
In a 2010 chat with GW, the always creatively restless virtuoso discusses his love of John McLaughlin, what he sought out to do when venturing into the world of classical music, and the musical icon he wished he had had the chance to collaborate with
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