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Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist
By Andrew Daly published
Starting his punk band Verböten at 11 with a “terrible” SG copy, the modest guitar hero (and Bob Mould bassist) remains in demand with his eternal passion, attention to detail and love of living room shows
Steve Cradock on that time he recorded Come Together with Paul McCartney – using Paul Weller's Epiphone Casino
By Matt Owen published
Cradock and McCartney formed a supergroup with Weller, Noel Gallagher, Steve White and Carleen Anderson during the recording of 1995's The Help Album
“I love driving people crazy”: The untapped guitar playing of David Gilmour’s solo albums
By Ryan Reed published
From his 1978 debut to the record he deemed his best since Dark Side of the Moon, we present a complete guide to the Pink Floyd icon’s solo material
How George Benson helped take Ibanez to the next level in the late-’70s
By Janelle Borg published
With multiple Ibanez signature guitars under his belt, the Breezin' guitarist shares the story of how his relationship with the Japanese guitar brand came about
Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less
By Andrew Daly published
A gearhead through and through, the Dixie Dregs and ex-Deep Purple guitarist reveals some of his follies and lessons learned along the way
Mk.Gee and his Fender Jaguar take center stage on SNL – alongside a mysteriously spec'd Charvel
By Janelle Borg published
The fast-rising guitarist performed the recently-released Rockman, and Alesis., from his critically-acclaimed debut, Two Star & the Dream Police
Leslie West on giving his Gibson Les Paul Junior to Pete Townshend after tracking three songs with The Who
By Janelle Borg published
West met Townshend when The Who recruited him to play lead guitar on several tracks for their 1971 album Who’s Next
Steve Lukather on how Quincy Jones saved Michael Jackson’s Beat It from becoming a heavy metal track
By Phil Weller published
Jackson wanted a rock track for Thriller – and Lukather says Jones had to step in to stop the song from entering fully fledged metal territory
Meet Lazy Day’s Tilly Scantlebury – the UK guitarist-producer summoning sparkling indie tones from secondhand setups
By Cheri Amour published
North London songwriter-producer embraces focus on rhythm, open tuning, Tubescreamer clones and following their instincts on debut album Open The Door
Martin Barre on Jethro Tull’s pioneering ’70s era, the Aqualung sessions – and supporting Jimi Hendrix
By Jamie Dickson published
A signature-shifting collision of bucolic folk and frayed-edge rock, Jethro Tull’s Aqualung is one of the ’70s’ most daring records. Barre takes us on a deep dive back to those fabled sessions, from winging his parts to snubbing Jimmy Page
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