“I was really inspired by them – that’s why I wanted to have an all-girl band. It feels very feminine on stage, but we’re all playing power chords and screaming”: Olivia Rodrigo on how ’90s alt-rock and riot grrrl inspired her record-breaking GUTS tour
Rodrigo cites The Breeders, Hole, Sleater-Kinney, L7 and Babes in Toyland as some of the key bands that shaped her guitar-leaning musical taste and career trajectory
Olivia Rodrigo's GUTS tour has been unashamedly rock-driven in both essence and approach – with a full band, pop-rock-fueled setlist, and Rodrigo herself playing a custom Music Man St. Vincent across 95 shows to 1.4 million people – both complementing and at times, challenging, the typical arena-pop production and flair.
To mark her mammoth trek, Rodrigo just dropped the GUTS World Tour film on Netflix, shot during her set at Los Angeles' Intuit Dome this past August.
Speaking about her inspiration for this concert film – and, by extension, the entire tour – Rodrigo tells Rolling Stone, “I grew up loving rock music, but more specifically I love girl rock bands and riot grrrl bands. I loved Hole, Sleater-Kinney, L7, Babes in Toyland.
“I was really inspired by them, and I think that’s why I wanted to have an all-girl band up on stage. It feels very feminine on stage, but we’re all playing power chords and screaming. There’s something fun about that.”
The homage to the '90s even extended to her choice of support acts, with The Breeders joining her for 10 shows in New York and Los Angeles. “It was so cool. I grew up listening to them all the time, and the song Cannonball changed my life as a songwriter,” she recalls.
“I remember when someone was like, ‘Well, why don’t you ask them to open for you.’ I was really scared to ask, and so the fact that they even agreed and showed up and played these shows is just so cool to me. I’ll never forget it. And they’re so kind and wonderful and such brilliant musicians. I’m glad that people appreciated it as much as I did.”
In other recent Olivia Rodrigo news, Elvis Costello has revealed the reason why he never sued her team for interpolating one of his guitar riffs.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“We knock on the door and he says, ‘Oh, you're the kid I heard about. Come in.’ The best part was he said, ‘Do you want to play tonight?’” How a 9-year-old Julian Lage ended up playing with Carlos Santana in front of 20,000 people
“I started writing two-and-a-half years ago. So it’s not a reflection of Kiko leaving Megadeth, but of Kiko thinking about leaving Megadeth”: Kiko Loureiro on making his first new solo material since quitting one of metal’s biggest bands