“Guitar World was putting together this CD... I thought, ‘Guitar players are gonna try to play the most mind-blowing shredding’… So I did an acoustic piece in DADGAD”: The Cars' Elliot Easton considers this lost gem to be one of his best performances

Elliot Easton performs onstage with the Cars at the Omni Coliseum in Atlanta, Georgia on October 16, 1980
(Image credit: Rick Diamond/Getty Images)

Last year, Elliot Easton, guitarist for power-pop hitmakers the Cars, told Guitar World about the time he laid down one of his greatest solos while fighting back tears of rage.

The solo in question, that for the Cars' Touch and Go, didn't happen to be included in a recent Guitar Player feature highlighting Easton's best lead work, but one track that did make the cut was an Easton solo tune titled Walk On Walden, which was included in a compilation assembled by none other than Guitar World magazine.

As Easton explained to Guitar Player, Walk On Walden stood out in comparison to his previous work with the Cars, and especially in the context of the album in question. Not that this was an accident.

Walk on Walden (Bonus Track) - YouTube Walk on Walden (Bonus Track) - YouTube
Watch On

“The backstory to Walk On Walden is that Guitar World magazine was putting together this CD called Guitars That Rule the World, and they asked me to contribute a track,” Easton explained.

“I thought, ‘You know, there are always heavy-hitter guitar players who are gonna blow their brains out trying to play the most mind-blowing, shredding kind of thing they can come up with.’ So I decided to do a complete 180 and composed an acoustic guitar piece tuned to DADGAD.”

Now, in our defence, Guitars That Rule the World wasn't just a shredfest. Though it did have speedsters like Nuno Bettencourt, Yngwie Malmsteen, and Reb Beach, it also included Albert Collins' Stevie Ray Vaughan salute, Blues For Stevie, and the Dickey Betts/Warren Haynes cut, Wille And Poor Bob, among others. But anyway...

“I played it [Walk On Walden] on an Ovation Elite guitar,” Easton continued. “I just plugged in and recorded that one on one of those old Akai MG-1214 [12-track] recorders. They used those cartridges that kind of looked like a Betamax tape.

“It’s funny, because I decided to throw a curveball and do exactly the opposite of what everyone else was doing, I’ve gotten some really nice responses to it over the years. And here you are today asking me about it!”

Jackson Maxwell

Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.